Tag “opera”
~ Tag
Recordings tagged as “opera”
8,952 recordings found
- 2 - Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Ferma, oh sire, che fai ?" by Sylvia McNair (soprano), Hillevi Martinpelto (soprano), Anne Sofie von Otter (mezzo-soprano), Anthony Rolfe Johnson (tenor), Glenn Winslade (tenor vocalist), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Idomeneo, re di Creta, K. 366: Appendix, Recitativo "Oh ciel pietoso!" / Recitativo "Oh, smania! Oh, furie!" by Sylvia McNair (soprano), Hillevi Martinpelto (soprano), Anne Sofie von Otter (mezzo-soprano), Nigel Robson (tenor), Anthony Rolfe Johnson (tenor), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
- 2 - Il barbiere di Siviglia: Atto I, scena 2. “Una voce poco fa” by Maria Callas (soprano), Tito Gobbi (baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto I. “La ran la le ra, la ran la la… Largo al factotum” (Figaro) by Tito Gobbi (baritone), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Alfine eccoci qua” (Figaro, Conte, Rosina) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Contro un cor che accende amore” (Rosina, Conte) by Luigi Alva (tenor), Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Di si felice innesto” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Il vecchiotto cerca moglie” (Berta) by Gabriella Carturan (mezzo-soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Pace e gioia sia con voi” by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. “Quando, mi sei vicina” (Bartolo) by Fritz Ollendorff (operatic bass), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Atto II. Temporale (Orchestra) by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Roberto Benaglio (conductor), Alceo Galliera (organist, conductor and composer)
- 2 - Il barbiere di Siviglia: Dunque io son… tu non m’inganni? by Cecilia Bartoli (mezzo‐soprano), Bryn Terfel (bass‐baritone opera singer), Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), Myun-Whun Chung (Myung-Whun Chung, pianist and conductor)
- 2 - Il trovatore: Atto I, scena 1. “Abbietta zingara, fosca vegliarda!” (Ferrando, Coro) by Coro del Teatro alla Scala di Milano, Nicola Zaccaria (operatic bass), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto I, scena 2. “Che più t’arresti?” (Ines, Leonora) by Maria Callas (soprano), Luisa Villa (mezzo-soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto I, scena 2. “Tacea la notte placida” (Leonora) by Maria Callas (soprano), Rolando Panerai (baritone), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto II, scena 1. “Mesta è la tua canzon!” (Coro, Azucena, Manrico, Vecchio Zingaro) by Fedora Barbieri (mezzo-soprano), Coro del Teatro alla Scala di Milano, Giulio Mauri (operatic bass), Giuseppe di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto II, scena 1. “Stride la vampa!” (Azucena) by Fedora Barbieri (mezzo-soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto II, scena 2. “Tutto è deserto” (Conte, Ferrando) by Coro del Teatro alla Scala di Milano, Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto III, scena 1. “Deh! rallentate, o barbari” (Conte, Ferrando, Coro, Azucena) by Fedora Barbieri (mezzo-soprano), Coro del Teatro alla Scala di Milano, Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto III, scena 1. “Or co’ dadi, ma fra poco” (Coro, Ferrando) by Coro del Teatro alla Scala di Milano, Nicola Zaccaria (operatic bass), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto III, scena 2. “L’onda de’ suoni mistici” (Leonora, Manrico, Ruiz) by Maria Callas (soprano), Renato Ercolani (tenor), Giuseppe di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 1. “Colui vivrà… Vivrà! contende il giubilo” (Conte, Leonora) by Maria Callas (soprano), Rolando Panerai (baritone), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora) by Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 1. “Misere… Quel suon, quelle preci” (Coro, Leonora, Manrico) by Maria Callas (soprano), Coro del Teatro alla Scala di Milano, Giuseppe Di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 1. “Siam giunti, ecco la torre” (Ruiz, Leonora) by Renato Ercolani (tenor), Maria Callas (soprano), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 2. “Prima che d’altri vivere” (Leonora, Manrico, Conte, Azucena) by Fedora Barbieri (mezzo-soprano), Maria Callas (soprano), Rolando Panerai (baritone), Giuseppe di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV, scena 2. “Ti scosta!” (Manrico, Leonora) by Maria Callas (soprano), Giuseppe di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Herbert von Karajan (conductor)
- 2 - Il trovatore: Atto IV. “D’amor sull’ali rosee” by Maria Callas (soprano)
- 2 - In trutina by Sarah Brightman
- 2 - In Trutina by Charlotte Church, Orchestra of the Welsh National Opera, Sian Edwards (English conductor)
- 2 - Ingemisco by Andrea Bocelli (tenor)
- 2 - Jerusalem by Charlotte Church, Orchestra of the Welsh National Opera, Sian Edwards (English conductor)
- 2 - Kiss From a Rose by Katherine Jenkins (mezzo-soprano)
- 2 - L'Africana: Mi battle il cuor … O paradiso by Luciano Pavarotti (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Oliviero de Fabritiis (conductor and composer)
- 2 - L'amico Fritz: “Suzel, buon dì” by Luciano Pavarotti (tenor) & Cecilia Bartoli (mezzo‐soprano)
- 2 - L'elisir d'amore: "Prendi, per me sei libero" (Adina) by Cecilia Bartoli (mezzo‐soprano), Orchestra La Scintilla, Ádám Fischer (Hungarian conductor)
- 2 - L’amico Fritz: Atto II. Duettino “Suzel, buon dì” (Fritz, Suzel) by Mirella Freni (soprano), Luciano Pavarotti (tenor), Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni (conductor)
- 2 - L’elisir d’amore: “Una furtiva lagrima” by Plácido Domingo (tenor), Los Angeles Philharmonic Orchestra, Carlo Maria Giulini (conductor)
- 2 - L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) by Juan Diego Flórez (Peruvian operatic tenor), Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi), Riccardo Frizza (conductor)
- 2 - L’incoronazione di Poppea: Atto III, scena 8. “Pur ti miro” by Arleen Augér (soprano), Della Jones (mezzo-soprano), City of London Baroque Sinfonia (chamber orchestra), Richard Hickox (conductor)
- 2 - L’incoronazione di Poppea: Atto III. “Pur ti miro” by Fernando Lima (Argentine/Spanish countertenor vocalist), Natasha Marsh (soprano), London Symphony Orchestra, Craig Leon (musician, arranger, composer and producer)
- 2 - La Bohème: “Che gelida manina” by Bratislawer Kinderchor (Bratislava Children’s Choir), Ľuba Orgonášová (soprano), Slowakischer Philharmoniker Chor (Slovak Philharmonic Choir), Jonathan Welch (tenor), Tschechoslowakischer Sinfonie Orchester (Bratislawa) (Slovak Radio Symphony Orchestra), Will Humburg (conductor)
- 2 - La bohème: “O soave fanciulla” by Coro del Teatro alla Scala di Milano, Anna Moffo (soprano), Manuel Spatafora (baritone), Nicola Zaccaria (operatic bass), Maria Callas (soprano), Giuseppe Di Stefano (tenor), Rolando Panerai (baritone), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Antonino Votto (conductor)
- 2 - La bohème: “Si, mi chiamano Mimì” by Lesley Garrett (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Ivor Bolton (conductor and harpsichordist)
- 2 - La bohème: Atto I. "Che gelida manina" (Rodolfo) by Jonas Kaufmann (tenor), Prague Philharmonic Orchestra, Marco Armiliato (conductor)
- 2 - La bohème: Atto I. “Che gelida manina!” (Rodolfo) by Giuseppe Di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Antonino Votto (conductor)
- 2 - La bohème: Atto I. “Che gelida manina” by José Carreras (Spanish tenor), Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis (English conductor)
- 2 - La bohème: Atto I. “O soave fanciulla” (Rodolfo, Mimì) by Roberto Alagna (tenor), Angela Gheorghiu (Romanian soprano), Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong (conductor)
- 2 - La bohème: Atto I. “Sì. Mi chiamano Mimì” by Mirella Freni (soprano), Orchestra del Teatro dell’Opera di Roma, Thomas Schippers (conductor and composer)
- 2 - La bohème: Atto I. Duettino "O soave fanciulla" (Mimi, Rodolfo) by Anna Netrebko (soprano), Rolando Villazón (tenor), Staatskapelle Dresden (Dresden Symphonic Orchestra), Nicola Luisotti (conductor)
- 2 - La bohème: Atto III. “Donde lieta uscì” (Mimì) by Walter Hagen-Groll (chorus master), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Mirella Freni (soprano), Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - La bohème: Atto III. “Ohè là, le guardie! Aprite!” (Spazzini) by Walter Hagen-Groll (chorus master), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Elizabeth Harwood (soprano), Hans-Dietrich Pohl, Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - La bohème: Atto III. “Sa dirmi, scusi, qual è l’osteria” (Mimì) by Walter Hagen-Groll (chorus master), Hans-Dieter Appelt, Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Mirella Freni (soprano), Hans-Dietrich Pohl, Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - La bohème: Atto IV. “In un coupe?… O mimi, tu piu non torni” (Marcello, Rodolfo) by Rolando Panerai (baritone), Luciano Pavarotti (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - La bohème: Atto IV. “In un coupé?” (Marcello) by Walter Hagen-Groll (chorus master), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Rolando Panerai (baritone), Luciano Pavarotti (tenor), Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - La bohème: Atto IV. “Sono andati? Fingevo di dormire” (Mimì) by Walter Hagen-Groll (chorus master), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Mirella Freni (soprano), Luciano Pavarotti (tenor), Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - La bohème: Atto IV. “Vecchia zimarra, senti” (Colline, Schaunard) by Walter Hagen-Groll (chorus master), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Nicolaï Ghiaurov (operatic bass), Gianni Maffeo (baritone), Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - La danza by Luciano Pavarotti (tenor)
- 2 - La Danza (live, 1973-07: Teatro comunale, Bologna, Italy) by Luciano Pavarotti (tenor), Orchestra del Teatro Comunale di Bologna, Richard Bonynge (conductor and pianist)
- 2 - La fiamma sacra by Russell Watson (tenor)
- 2 - La Luna by Sarah Brightman
- 2 - La mia canzone al vento by Luciano Pavarotti (tenor), Henry Mancini (US composer, conductor & arranger)
- 2 - La pastorella by Charlotte Church
- 2 - La rondine: Atto I. “Chi il bel sogno di Doretta” by Kiri Te Kanawa (soprano), London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra), John Pritchard (conductor)
- 2 - La scala di seta: Overture by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Ferenc Fricsay (conductor)
- 2 - La sonnambula: "Ah! non credea mirarti" (Amina) by Cecilia Bartoli (mezzo‐soprano), Orchestra La Scintilla, Ádám Fischer (Hungarian conductor)
- 2 - La sonnambula: "Ah! non giunge" (Amina) by Cecilia Bartoli (mezzo‐soprano), Orchestra La Scintilla, Ádám Fischer (Hungarian conductor)
- 2 - La Sonnambula: Care Compagne / Come per me sereno by Anna Netrebko (soprano), Wiener Philharmoniker (Vienna Philharmonic), Gianandrea Noseda (conductor)
- 2 - La traviata: “Libiamo ne lieti calici“ (Brindisi) by Wolfgang Baumgart, Chor der Bayerischen Staatsoper (Chorus of the Bavarian State Opera), Ileana Cotrubaș (Romanian soprano), Plácido Domingo (tenor), Alfredo Giacomotti (operatic bass), Bruno Grella, Walter Gullino (tenor), Stefania Malagú (mezzo-soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Carlos Kleiber (conductor)
- 2 - La traviata: Act III. Prelude by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
- 2 - La traviata: Atto III. “Addio, del passato” (Violetta) by Maria Callas (soprano), Orchestra Sinfonica di Torino della RAI, Gabriele Santini (conductor)
- 2 - La Traviata: Lunge da lei... De' miei bollenti spiriti... Annina, donde vieni?... Oh mio rimorso by Jonas Kaufmann (tenor), Jana Sibera, Prague Philharmonic Orchestra, Marco Armiliato (conductor)
- 2 - La traviata: Preludio by National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
- 2 - La Wally: Atto I. “Ebben? Ne andrò lontana” (mono) by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
- 2 - Lakmé : « Dôme épais … » (Flower Duet) by Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
- 2 - Lakmé : Acte I. Duettino « Viens, Mallika… » (Lakmé, Mallika) by Mady Mesplé (soprano), Danielle Millet (mezzo-soprano), Orchestre du Théâtre National de l’Opéra‐Comique, Alain Lombard (conductor)
- 2 - Lakmé H2O (Flower Duet) by OperaBabes
- 2 - Lakmé: Atto II. “Dov’ è l’Indiana bruna?” (Bell Song / Air des clochettes / Glöckchenarie) by Maria Callas (soprano), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
- 2 - Lakmé: Flower Duet by Ruby Philogene (mezzo-soprano), Janice Watson (soprano), Royal Liverpool Philharmonic Orchestra, Carl Davis (conductor and composer)
- 2 - Lascia ch’io pianga by Charlotte Church
- 2 - Le nozze di Figaro, K 492: Atto I. N. 6 Aria: “Non so più cosa son, cosa faccio” (Cherubino) by Cecilia Bartoli (mezzo‐soprano), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 2 - Le Nozze di Figaro, K. 492: "Voi che sapete" (Cherubino) by Ann Murray (Irish mezzo-soprano), Wiener Philharmoniker (Vienna Philharmonic), Riccardo Muti (conductor)
- 2 - Le nozze di Figaro, K. 492: “Non più andrai” (Figaro) by Sir Thomas Allen (baritone), Wiener Philharmoniker (Vienna Philharmonic), Riccardo Muti (conductor)
- 2 - Le nozze di Figaro, K. 492: Act IV. "Ah tutti contenti" by Anne Howells (operatic mezzo-soprano), Robin Leggate (operatic tenor), Felicity Lott (soprano), Alexander Oliver (tenor), Patricia Payne (mezzo-soprano, alto), Samuel Ramey (bass-baritone), Deborah Rees, Richard Stilwell (baritone), John Tomlinson (English operatic bass), Willard White (bass-baritone), Academy of St Martin in the Fields, Sir Neville Marriner (conductor)
- 2 - Le nozze di Figaro, K. 492: Atto II. No. 12 "Voi che sapete" by Dietrich D. Gerpheide, Cecilia Bartoli (mezzo‐soprano), Franz Bartolomey (cellist), Robert Scheiwein (Austrian cellist), Ronald Schneider (harpsichordist and pianist), Wiener Philharmoniker (Vienna Philharmonic), Claudio Abbado (conductor)
- 2 - Le nozze di Figaro, K. 492: Overture by Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Karl Böhm (Austrian conductor)
- 2 - Le nozze di Figaro: Aria: 'Non so piu cosa faccio' by Cecilia Bartoli (mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Daniel Barenboim (pianist and conductor)
- 2 - Le nozze di Figaro: E Susanna non vien!... Dove sono by Barbara Hendricks (soprano), English Chamber Orchestra, Jeffrey Tate (conductor)
- 2 - Le trouvère: “Di quella pira” by Luciano Pavarotti (tenor), Joan Sutherland (soprano), Graham Clark (tenor), London Opera Chorus, National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Richard Bonynge (conductor and pianist)
- 2 - Les Pêheurs de perles: “Je crois entendre encore” by Plácido Domingo (tenor), Los Angeles Philharmonic, Carlo Maria Giulini (conductor)
- 2 - Let It Rain by Sarah Brightman
- 2 - Life on Mars by G4 (British vocal troupe, performed on The X Factor)
- 2 - Lohengrin: Prelude to Act I by New York Philharmonic, Giuseppe Sinopoli (conductor)
- 2 - Louise : Acte III. « Depuis le jour où je me suis donnée » by Maria Callas (soprano), Orchestre national de la radiodiffusion française (National Orchestra of France, RTF / ORTF / Radio France), Georges Prêtre (French conductor)
- 2 - Lucia di Lammermoor: Ancor non giunse! / Regnava nel silenzio by Elīna Garanča (Latvian operatic lyric mezzo-soprano), Anna Netrebko (soprano), Wiener Philharmoniker (Vienna Philharmonic), Gianandrea Noseda (conductor)
- 2 - Lucia di Lammermoor: Atto I, scena 1. “Cruda, funesta smania” (Normanno, Enrico, Raimondo) by Piero Cappuccilli (baritone), Renzo Casellato (tenor), Bernard Ładysz (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
- 2 - Lucia di Lammermoor: Atto I, scena 1. “Il tuo dubbio è omai certezza…Come vinti da stanchezza” (Coro, Normanno, Enrico, Raimondo) by Roberto Benaglio (conductor), Piero Cappuccilli (baritone), Renzo Casellato (tenor), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Bernard Ładysz (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
- 2 - Lucia di Lammermoor: Atto I, scena 1. “La pietade in suo favore” (Enrico, Raimondo, Coro) by Roberto Benaglio (conductor), Piero Cappuccilli (baritone), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Bernard Ładysz (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
- 2 - Lucia di Lammermoor: Atto I, scena 1. “Percorrete…Percorriamo le spiagge vicine” (Normanno, Coro) by Roberto Benaglio (conductor), Renzo Casellato (tenor), Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)
- 2 - Lucia di Lammermoor: Atto I, scena 1. “Tu sei turbato!…E n'ho ben d'onde” (Normanno, Enrico, Raimondo) by Piero Cappuccilli (baritone), Renzo Casellato (tenor), Bernard Ładysz (bass-baritone), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Tullio Serafin (conductor)