Romanza (Deluxe Edition)

~ Release by Anna Netrebko & Yusif Eyvazov (see all versions of this release, 3 available)

Annotation

Copyright: © 2017 Deutsche Grammophon GmbH, Berlin
℗ 2017 Deutsche Grammophon GmbH, Berlin

Annotation last modified on 2024-11-12 15:29 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1Gianni Schicchi, SC 88: O mio babbino caro
recording engineer:
Dagmar Birwe (from 2004-02 until 2004-03) and Wolf‐Dieter Karwatky (from 2004-02 until 2004-03)
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals and soprano vocals [Lauretta]:
Anna Netrebko (soprano) (from 2004-02 until 2004-03)
orchestra:
Mahler Chamber Orchestra (from 2004-02 until 2004-03)
conductor:
Claudio Abbado (conductor) (from 2004-02 until 2004-03)
balance engineer:
Rainer Maillard (from 2004-02 until 2004-03)
recorded at:
Teatro Municipale Romolo Valli (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia (from 2004-02 until 2004-03)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 2004-02 until 2004-03)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini32:50
2La traviata: Act I: Sempre libera "Cabaletta"
producer:
Christopher Alder (editor/engineer/producer)
soprano vocals [Violetta]:
Anna Netrebko (soprano) (from 2004-02 until 2004-03)
tenor vocals [Alfredo]:
Saimir Pirgu (operatic tenor) (from 2004-02 until 2004-03)
orchestra:
Mahler Chamber Orchestra (from 2004-02 until 2004-03)
conductor:
Claudio Abbado (conductor) (from 2004-02 until 2004-03)
balance engineer:
Rainer Maillard
recorded at:
Teatro Municipale Romolo Valli (also known since the 1980s as Teatro Municipale Valli) in Reggio Emilia (from 2004-02 until 2004-03)
recording of:
La traviata: Atto I. “Sempre libera” (Violetta) (from 2004-02 until 2004-03)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi3:40
3La Bohème: Act 1: "Sì. Mi chiamano Mimì" (live)
assistant engineer:
Monika Graul (in 2007-04)
producer:
Christopher Alder (editor/engineer/producer) and Wilhelm Meister (Tonmeister / recording producer)
soprano vocals [Mimi]:
Anna Netrebko (soprano) (in 2007-04)
orchestra:
Symphonieorchester des Bayerischen Rundfunks (Bavarian Radio Symphony Orchestra) (in 2007-04)
conductor:
Bertrand de Billy (conductor) (in 2007-04)
balance engineer:
Rainer Maillard (in 2007-04) and Peter Urban (sound engineer) (in 2007-04)
recorded at:
Philharmonie im Gasteig in München (Munich) (in 2007-04)
live recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 2007-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini5:25
4Die Csárdásfürstin: Act I: "Heia, heia, in den Bergen ist mein Heimatland"
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
soprano vocals:
Anna Netrebko (soprano)
orchestra:
Prague Philharmonia
conductor:
Emmanuel Villaume (conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recording of:
Die Csardasfürstin: Akt I. „Heia, heia, in den Bergen ist mein Heimatland“
composer:
Emmerich Kálmán (Kálmán Imre - composer) (in 1915)
part of:
Die Csárdásfürstin: Akt I
Emmerich Kálmán3:26
5Giuditta: Act IV: Meine Lippen, die küssen so heiss
soprano vocals:
Anna Netrebko (soprano) (in 2008)
orchestra:
Prague Philharmonia (in 2008)
conductor:
Emmanuel Villaume (conductor) (in 2008)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recording of:
Giuditta: Akt IV. „Meine Lippen, sie küssen so heiss” (Giuditta) (in 2008)
lyricist:
Fritz Löhner-Beda (librettist, lyricist, writer)
composer:
Franz Lehár (composer)
librettist:
Paul Knepler (librettist and composer)
part of:
Giuditta: Akt IV
Franz Lehár5:42
6Peer Gynt, op. 23: Solveig's Song
soprano vocals:
Anna Netrebko (soprano)
orchestra:
Prague Philharmonia
conductor:
Emmanuel Villaume (conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recording of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
composer:
Edvard Grieg (composer) (in 1875)
librettist:
Henrik Ibsen (in 1867)
part of:
Peer Gynt, op. 23
Edvard Grieg5:03
7Rusalka, op. 114, B.203: Act 1: Mesicku na nebi hlubokém
soprano vocals:
Anna Netrebko (soprano) (in 2003-03)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 2003-03)
conductor:
Gianandrea Noseda (conductor) (in 2003-03)
recording of:
Rusalka, op. 114, B. 203: 1. jednání. “Měsíčku na nebi hlubokém” (Rusalka) (Rusalka, op. 114, B. 203: Act 1. "Song to the Moon", Song to the Moon) (in 2003-03)
composer:
Antonín Dvořák (composer) (from 1900-04-21 until 1900-11-27)
part of:
Rusalka, op. 114, B. 203: 1. jednání
Antonín Dvořák5:07
812 Songs, op. 21 (arr. by Michael Rot): VII. Zdes′ khorosho
recording engineer:
Wolf‐Dieter Karwatky (from 2005-12 until 2006-06)
sound engineer:
Rainer Maillard (from 2005-12 until 2006-06)
producer:
Christopher Alder (editor/engineer/producer) (from 2005-12 until 2006-06)
soprano vocals:
Anna Netrebko (soprano) (from 2005-12 until 2006-06)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (from 2005-12 until 2006-06)
conductor:
Valery Gergiev (conductor) (from 2005-12 until 2006-06)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2006)
recorded at:
Mariinsky Theatre (Mariinsky Theatre) in Sankt-Peterburg (Saint Petersburg), Russia (from 2005-12 until 2006-06)
recording of:
12 Romances, op. 21: No. 7 “How Fair This Spot” (12 Romances, op. 21: no. 7 “How Fair This Spot”)
lyricist:
Галина Галина (Galina Galina)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1902)
part of:
12 Romances, op. 21
Сергей Рахманинов2:28
9Ciganské melodie, op. 55, B. 104 (arr. by Jiri Teml): IV. Kdyz mne stara matka
soprano vocals:
Anna Netrebko (soprano)
orchestra:
Prague Philharmonia
conductor:
Emmanuel Villaume (conductor)
orchestrator:
Jiří Teml
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recording of:
Cigánské melodie, op. 55: IV. Když mne stará matka (Gypsy Songs: Songs My Mother Taught Me, for voice and piano)
lyricist:
Adolf Heyduk
composer:
Antonín Dvořák (composer) (from 1880-01 until 1880-02)
part of:
Cigánské melodie, op. 55 (Gypsy Songs, for voice and piano)
recording of:
Gipsy Songs, op. 55: IV. Songs My Mother Taught Me (catch-all for arrangements)
composer:
Antonín Dvořák (composer) (from 1880-01 until 1880-02)
arrangement of:
Cigánské melodie, op. 55: IV. Když mne stará matka (Gypsy Songs: Songs My Mother Taught Me, for voice and piano)
Antonín Dvořák3:10
10Fünf Lieder, op. 41, TrV 195: I. Wiegenlied
soprano vocals:
Anna Netrebko (soprano)
orchestra:
Prague Philharmonia
conductor:
Emmanuel Villaume (conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recording of:
Wiegenlied, op. 41 no. 1 (Lullaby, op. 41 no. 1)
lyricist:
Richard Dehmel
composer:
Richard Strauss (German composer) (in 1899)
part of:
5 Lieder for voice and piano (op 41; TrV 195)
Richard Strauss4:18
11Madama Butterfly: Act II: "Un bel dì vedremo"
soprano vocals:
Anna Netrebko (soprano) (in 2016-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 2016-06)
conductor:
Antonio Pappano (conductor and pianist) (in 2016-06)
recorded at:
Auditorium Parco della Musica in Roma (Rome) (in 2016-06)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 2016-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:33
12Tosca: Act II: "Vissi d'arte, vissi d'amore"
soprano vocals:
Anna Netrebko (soprano) (in 2016-06)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia) (in 2016-06)
conductor:
Antonio Pappano (conductor and pianist) (in 2016-06)
recorded at:
Auditorium Parco della Musica in Roma (Rome) (in 2016-06)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (in 2016-06)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini3:29
13Les Contes d'Hoffmann: Act II: Barcarolle
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano)
soprano vocals:
Anna Netrebko (soprano)
orchestra:
Prague Philharmonia
conductor:
Emmanuel Villaume (conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recording of:
Les Contes d’Hoffmann : Acte IV. No. 17 Barcarolle « Belle nuit, ô nuit d’amour » (Nicklausse, Giulietta, les invités) (in 2008-03)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
part of:
Les Contes d'Hoffmann: Acte IV (Giulietta) (Offenbach order; critical Oeser edition)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
recording of:
Les Contes d’Hoffmann: Barcarolle (The Tales of Hoffmann: Barcarolle, catch-all for arrangements)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
arrangement of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
Jacques Offenbach3:47
14I Capuleti e i Montecchi: Act 1: Vieni, ah! vieni, e in me riposa (live)
recording engineer:
Rainer Maillard (in 2008-04) and Josef Schütz (in 2008-04)
assistant engineer:
Fridolin Stolz
producer:
Christopher Alder (editor/engineer/producer)
mezzo-soprano vocals [Romeo]:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2008-04)
soprano vocals [Giulietta]:
Anna Netrebko (soprano) (in 2008-04)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 2008-04)
conductor:
Fabio Luisi (conductor) (in 2008-04)
recorded at:
Wiener Konzerthaus in Landstraße (in 2008-04)
live recording of:
I Capuleti e i Montecchi: Atto I. N°4a Recitativo e romanza “Eccomi in lieta vesta” (Giulietta) (in 2008-04)
composer:
Vincenzo Bellini (Sicilian opera composer) (from 1830-01 until 1830-03)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (from 1830-01 until 1830-03)
part of:
I Capuleti e i Montecchi: Atto I
live recording of:
I Capuleti e i Montecchi: Atto I. N°5e Scena e duetto “Vieni, ah! in me riposa” (Romeo, Giulietta) (in 2008-04)
composer:
Vincenzo Bellini (Sicilian opera composer) (from 1830-01 until 1830-03)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur) (from 1830-01 until 1830-03)
part of:
I Capuleti e i Montecchi: Atto I
Vincenzo Bellini4:00
15Don Giovanni, ossia Il dissoluto punito, K. 527: Act II: "Là ci darem la mano"
engineer:
Jürgen Bulgrin (sound engineer)
producer:
Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2006-05)
soprano vocals:
Anna Netrebko (soprano) (in 2006-05)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-05)
conductor:
Sebastian Weigle (hornist and conductor) (in 2006-05)
balance engineer:
Rainer Maillard
recorded at:
Palais im Großen Garten (Dresden) in Dresden (in 2006-05)
recording of:
Don Giovanni: Atto I. No. 7 Duettino “Là ci darem la mano” (Don Giovanni, Zerlina) (in 2006-05)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Don Giovanni: Atto I
Wolfgang Amadeus Mozart3:28
16Giovanna d'Arco: Prologo: "Sempre all'alba ed alla sera" (live)
soprano vocals:
Anna Netrebko (soprano)
orchestra:
Munich Radio Orchestra (The Munich Radio Orchestra)
conductor:
Paolo Carignani
recording of:
Giovanna d'Arco: Prologo, Nº 4b. Cavatina "Sempre all'alba ed alla sera" (Giovanna)
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Giovanna d'Arco: Prologo
Giuseppe Verdi3:59
17Iolanta, op. 69, TH 11: "Otčego ėto prežde ne znala" (live)
recording engineer:
Daniel Kemper (in 2012-11) and Philip Krause (engineer) (in 2012-11)
assistant sound engineer:
Philip Krause (engineer) (in 2012-11)
assistant audio engineer:
Bastian Schick (in 2012-11)
executive producer:
Ute Fesquet (in 2012-11)
producer:
Sid McLauchlan (engineer/producer) (in 2012-11)
soprano vocals:
Anna Netrebko (soprano) (in 2012-11)
orchestra:
Slovenian Philharmonic Orchestra (Ljubljana, Slovenia) (in 2012-11)
conductor:
Emmanuel Villaume (conductor) (in 2012-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2015)
recorded at:
Philharmonie Essen Saalbau in Essen (in 2012-11)
live recording of:
Иоланта, op. 69: no. 1. Ариозо Иоланты "Отчего это прежде не знала ни тоски я" (Iolanta's Arioso "Otchego eto prezhde ne znala ni toskya ya") (in 2012-11)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (from 1891-07 until 1891-12)
librettist:
Модест Ильич Чайковский (Modest Ilyich Tchaikovsky, librettist)
part of:
Иоланта, op. 69
Пётр Ильич Чайковский2:43