Carmina Burana: III. Cour d’amours: Tempus est iocundum

~ Recording by Chœur de l’Orchestre symphonique de Montréal, F.A.C.E. Treble Choir, Beverly Hoch, Mark Oswald, Orchestre symphonique de Montréal, Charles Dutoit

Appears on releases

#TitleLengthTrack artistRelease titleRelease artistRelease group typeCountry/DateLabelCatalog#
Official
32.22Tempus est iocundum2:25Carl OrffThe Decca Sound: Dutoit / MontréalDutoit, MontréalAlbum + Compilation
  • XW2016-02-05
Decca Classics (“DECCA” in white uppercase on a blue‐over‐red rectangular block; until 1999, for use outside of North America only)478 9466

Relationships

producer:Chris Hazell
editor:Simon Bertram
baritone vocals:Mark Oswald (baritone) (in 1996-05)
choir vocals:Chœur de l’Orchestre symphonique de Montréal (Orchestre Symphonique de Montréal Chorus) (in 1996-05)
F.A.C.E. Treble Choir (in 1996-05)
soprano vocals:Beverly Hoch (in 1996-05)
orchestra:Orchestre symphonique de Montréal (Montreal Symphony Orchestra) (in 1996-05)
conductor:Charles Dutoit (conductor) (in 1996-05)
balance engineer:John Dunkerley (engineer)
Jonathan Stokes (engineer)
recorded at:Église de Saint-Eustache in Saint-Eustache (in 1996-05)
recording of:Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (in 1996-05)

Related works

Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum

composer:Carl Orff (composer) (in 1936)
publisher:B. Schott’s Söhne (publisher; do not use as label)
part of:Carmina Burana: III. Cour d’amours (order: 8)