The Romantic Cello

~ Release by Timora Rosler, Klára Würtz (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1Polonaise brillante in C major, op. 3
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
partial recording of:
Introduction and Polonaise brillante for cello & piano in C major, op. 3 (from 2001-05-29 until 2001-05-30)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1829 until 1830)
part of:
Works of Fryderyk Chopin by opus number (number: op. 3)
Frédéric Chopin8:27
2Suite populaire Espagnole: El paño moruno
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Suite populaire espagnole: I. El paño moruno (arr. Maréchal for cello and piano) (from 2001-05-29 until 2001-05-30)
composer:
Manuel de Falla (Spanish composer)
cello arranger and piano arranger:
Maurice Maréchal (cellist)
arrangement of:
Suite populaire espagnole: I. El paño moruno (for violin and piano, arr. Kochanski)
part of:
Suite populaire espagnole (arr. Maréchal for cello and piano)
Manuel de Falla2:09
3Suite populaire Espagnole: Nano (Berceuse)
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Suite populaire espagnole: IV. Nana (arr. Maréchal for cello and piano) (from 2001-05-29 until 2001-05-30)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arrangement of:
Siete canciones populares españolas, G. 40, nº 5: Nana
arrangement of:
Suite populaire espagnole: II. Nana (for violin and piano, arr. Kochanski)
part of:
Suite populaire espagnole (arr. Maréchal for cello and piano)
Manuel de Falla2:09
4Suite populaire Espagnole: Canción
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Suite populaire espagnole: IV. Nana (arr. Maréchal for cello and piano) (from 2001-05-29 until 2001-05-30)
composer:
Manuel de Falla (Spanish composer) (in 1914)
arrangement of:
Siete canciones populares españolas, G. 40, nº 5: Nana
arrangement of:
Suite populaire espagnole: II. Nana (for violin and piano, arr. Kochanski)
part of:
Suite populaire espagnole (arr. Maréchal for cello and piano)
Manuel de Falla1:31
5Suite populaire Espagnole: Polo
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Suite populaire espagnole: VI. Polo (arr. Maréchal for cello and piano) (from 2001-05-29 until 2001-05-30)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
Suite populaire espagnole: IV. Polo (for violin and piano, arr. Kochanski)
part of:
Suite populaire espagnole (arr. Maréchal for cello and piano)
Manuel de Falla1:16
6Suite populaire Espagnole: Asturiana
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Suite populaire espagnole: II. Asturiana (arr. Maréchal for cello and piano) (from 2001-05-29 until 2001-05-30)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
Suite populaire espagnole: V. Asturiana (for violin and piano, arr. Kochanski)
part of:
Suite populaire espagnole (arr. Maréchal for cello and piano)
Manuel de Falla2:17
7Suite populaire Espagnole: Jota
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Suite populaire espagnole: III. Jota (arr. Maréchal for cello and piano) (from 2001-05-29 until 2001-05-30)
composer:
Manuel de Falla (Spanish composer)
arrangement of:
Suite populaire espagnole: VI. Jota (for violin and piano, arr. Kochanski)
part of:
Suite populaire espagnole (arr. Maréchal for cello and piano)
Manuel de Falla2:56
8Sonate, pour violoncelle et piano: Prologue: Lent
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: I. Prologue (Sonata for Cello and Piano: I. Prologue) (from 2001-05-29 until 2001-05-30)
composer:
Claude Debussy (French composer) (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy3:51
9Sonate, pour violoncelle et piano: Sérénade (Modérément animé)
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: II. Sérénade (Sonata for Cello and Piano: II. Serenade) (from 2001-05-29 until 2001-05-30)
composer:
Claude Debussy (French composer) (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy2:55
10Sonate, pour violoncelle et piano: Finale (Animé)
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Sonate pour violoncelle et piano, L. 135, CD 144: III. Finale (Sonata for Cello and Piano: III. Finale) (from 2001-05-29 until 2001-05-30)
composer:
Claude Debussy (French composer) (from 1915-07 until 1915-08)
part of:
Sonate pour violoncelle et piano, L. 135, CD 144 (Sonata for Cello and Piano)
Claude Debussy3:31
11Sonata in C major, for Cello and Piano: Dialogo
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Cello Sonata in C major, op. 65: I. Dialogo (from 2001-05-29 until 2001-05-30)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
part of:
Cello Sonata in C major, op. 65
Benjamin Britten6:05
12Sonata in C major, for Cello and Piano: Scherzo-pizzicato
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Cello Sonata in C major, op. 65: II. Scherzo: pizzicato (from 2001-05-29 until 2001-05-30)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
part of:
Cello Sonata in C major, op. 65
Benjamin Britten2:16
13Sonata in C major, for Cello and Piano: Elegia
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Cello Sonata in C major, op. 65: III. Elegia (from 2001-05-29 until 2001-05-30)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
part of:
Cello Sonata in C major, op. 65
Benjamin Britten5:41
14Sonata in C major, for Cello and Piano: Marcia
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Cello Sonata in C major, op. 65: IV. Marcia (from 2001-05-29 until 2001-05-30)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
part of:
Cello Sonata in C major, op. 65
Benjamin Britten2:22
15Sonata in C major, for Cello and Piano: Moto perpetuo
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Cello Sonata in C major, op. 65: V. Moto perpetuo (from 2001-05-29 until 2001-05-30)
composer:
Benjamin Britten (English composer, conductor, and pianist) (in 1961)
part of:
Cello Sonata in C major, op. 65
Benjamin Britten2:26
16Rhapsody, for Violin & Piano, Arranged for Violoncello & Piano: Prima Parte “lassu”, moderato
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Rhapsody no. 1 for violin and piano, Sz. 86: I. Prima parte “lassú”. Moderato (from 2001-05-29 until 2001-05-30)
composer:
Béla Bartók (composer) (in 1928)
part of:
Rhapsody no. 1 for violin and piano, Sz. 86
Béla Bartók4:03
17Rhapsody, for Violin & Piano, Arranged for Violoncello & Piano: Seconda Parte “friss”, allegretto moderato
engineer and producer:
Arts Music Recording (Recording studios, Rotterdam)
cello:
Timora Rosler (cellist) (from 2001-05-29 until 2001-05-30)
piano:
Klára Würtz (pianist) (from 2001-05-29 until 2001-05-30)
recorded at:
Doopsgezinde kerk (Deventer) in Deventer (from 2001-05-29 until 2001-05-30)
recording of:
Rhapsody no. 1 for violin and piano, Sz. 86: II. Seconda parte “friss”. Allegretto moderato (from 2001-05-29 until 2001-05-30)
composer:
Béla Bartók (composer) (in 1928)
part of:
Rhapsody no. 1 for violin and piano, Sz. 86
Béla Bartók5:05
2▼CD
#TitleArtistRatingLength
1Cello Concerto in A minor, op. 33
sound engineer:
Geju Toperczer
producer:
Rudolf Hentšel
cello:
Timora Rosler (cellist) (from 2000-10-02 until 2000-10-04)
orchestra:
Zilina Chamber Orchestra (Slovak Sinfonietta)
conductor:
Dwight Bennett (conductor)
recording of:
Cello Concerto no. 1 in A minor, op. 33
composer:
Camille Saint‐Saëns (composer) (in 1872)
dedicated to:
Auguste Tolbecque
part of:
Works of Camille Saint-Saëns by opus number (number: op. 33)
Camille Saint‐Saëns17:57
2Elégie, op. 24
sound engineer:
Geju Toperczer
producer:
Rudolf Hentšel
cello:
Timora Rosler (cellist) (from 2000-10-02 until 2000-10-04)
orchestra:
Zilina Chamber Orchestra (Slovak Sinfonietta)
conductor:
Dwight Bennett (conductor)
recording of:
Élégie, op. 24 (for cello and orchestra)
orchestrator:
Gabriel Fauré (French composer)
composer:
Gabriel Fauré (French composer) (in 1883)
orchestration of:
Élégie pour violoncelle et piano, op. 24
Gabriel Fauré6:22
3Kol Nidrei, Adagio on Hebrew Melodies, op. 47
sound engineer:
Geju Toperczer
producer:
Rudolf Hentšel
cello:
Timora Rosler (cellist) (from 2000-10-02 until 2000-10-04)
orchestra:
Zilina Chamber Orchestra (Slovak Sinfonietta)
conductor:
Dwight Bennett (conductor)
recording of:
Kol Nidrei, op. 47
composer:
Max Bruch (composer and conductor) (in 1880-07)
dedicated to:
Robert Hausmann
part of:
Works of Max Bruch by opus number (number: op. 47)
Max Bruch8:26
4Variations on a Rococo Theme, op. 33
sound engineer:
Geju Toperczer
producer:
Rudolf Hentšel
cello:
Timora Rosler (cellist) (from 2000-10-02 until 2000-10-04)
orchestra:
Zilina Chamber Orchestra (Slovak Sinfonietta)
conductor:
Dwight Bennett (conductor)
recording of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (standard Fitzenhagen version)
premiered in:
Moscow, Russia (on 1877-11-30)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer) (in 1877)
revised by:
Wilhelm Fitzenhagen (German cellist and composer)
dedicated to:
Wilhelm Fitzenhagen (German cellist and composer)
part of:
Works of Pyotr Ilyich Tchaikovsky by opus number (number: op. 33)
version of:
Variations on a Rococo Theme for Cello and Orchestra, op. 33 (original Tchaikovsky version)
Pyotr Il'yich Tchaikovsky16:50