A Baroque Festival

~ Release by J.S. Bach, Handel, Pachelbel, Purcell; Taverner Players, Andrew Parrott (see all versions of this release, 2 available)

Tracklist

1▼CD
#	Title	Artist	Rating	Length
1	Synfony: "The Arrival Of The Queen Of Sheba orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Solomon, HWV 67: Act III. Sinfonia “The Arrival of the Queen of Sheba” composer: George Frideric Handel (German‐British baroque composer) (in 1748) publisher: Hallische Händel‐Ausgabe der Georg‐Friedrich‐Händel‐Gesellschaft and Public Domain (refers to works that are in the public domain) part of: Solomon, HWV 67: Act III	George Frideric Handel		2:52
2	Harp Concerto in B-flat major, op. 4 no. 6: I. Andante Allegro harp: Andrew Lawrence‐King (Early music harpist and conductor) (in 1988) orchestra: Taverner Consort (in 1988) and Taverner Players (in 1988) conductor: Andrew Parrott (conductor) (in 1988) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: I. Andante – Allegro (original version, for harp) composer: George Frideric Handel (German‐British baroque composer) (in 1736) part of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294	George Frideric Handel		6:05
3	Harp Concerto in B-flat major, op. 4 no. 6: II. Larghetto harp: Andrew Lawrence‐King (Early music harpist and conductor) orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: II. Larghetto (original version, for harp) composer: George Frideric Handel (German‐British baroque composer) (in 1736) part of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294	George Frideric Handel		5:02
4	Harp Concerto in B-flat major, op. 4 no. 6: III. Allegro Moderato harp: Andrew Lawrence‐King (Early music harpist and conductor) orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294: III. Allegro moderato (original version, for harp) composer: George Frideric Handel (German‐British baroque composer) (in 1736) part of: Harp Concerto in B‐flat major, op. 4 no. 6, HWV 294	George Frideric Handel		2:51
5	Three Parts Upon A Ground orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Fantasia, 3 parts on a Ground for three recorders, Z. 731 composer: Henry Purcell (Baroque composer) part of: Henry Purcell: An Analytical Catalogue of His Music (number: Z. 731)	Henry Purcell		5:11
6	A Suite of Theatre Music: I. Trumpet Overture orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: The Indian Queen, Z. 630: Trumpet Overture composer: Henry Purcell (Baroque composer) part of: The Indian Queen, Z. 630	Henry Purcell		2:47
7	A Suite of Theatre Music: II. Rondeau orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Incidental Music for Abdelazer, or, the Moor’s Revenge, Z 570: II. Rondeau composer: Henry Purcell (Baroque composer) part of: Incidental Music for Abdelazer, or, the Moor's Revenge, Z 570	Henry Purcell		1:34
8	A Suite of Theatre Music: III. Chaconne orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: The Gordian Knot Unty’d, Z. 597: VI. Chaconne composer: Henry Purcell (Baroque composer) publisher: Public Domain (refers to works that are in the public domain) part of: The Gordion Knot Unty’d, Z. 597	Henry Purcell		1:49
9	A Suite of Theatre Music: IV. Symphony & Dance orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) partial recording of: The Indian Queen, Z. 630: Act II composer: Henry Purcell (Baroque composer) part of: The Indian Queen, Z. 630	Henry Purcell		1:47
10	Canon & Gigue: Canon orchestra: Taverner Players conductor: Andrew Parrott (conductor) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Canon and Gigue in D major, P. 37, T. 337: I. Canon (Canon and Gigue in D major, P. 37, T. 377: I. Canon) composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, P. 37, T. 337	Johann Pachelbel		3:39
11	Canon & Gigue: Gigue orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Canon and Gigue in D major, P. 37, T. 337: II. Gigue composer: Johann Pachelbel (composer) part of: Canon and Gigue in D major, P. 37, T. 337	Johann Pachelbel		1:27
12	Sinfonia from Cantata, BWV 29 orchestra: Taverner Players (from 1987-04 until 1987-06) conductor: Andrew Parrott (conductor) (from 1987-04 until 1987-06) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recorded at: Abbey Road Studios: Studio 1 in St John's Wood (from 1987-04 until 1987-06) recording of: Kantate, BWV 29 “Wir danken dir, Gott, wir danken dir”: I. Sinfonia (from 1987-04 until 1987-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1731) part of: Kantate, BWV 29 "Wir danken dir, Gott, wir danken dir"	Johann Sebastian Bach		3:39
13	Sinfonia from Cantata, BWV 156 orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Kantate, BWV 156 “Ich steh mit einem Fuß im Grabe”: I. Sinfonia premiered in: Leipzig (in 1729) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1729) is based on: Concerto no. 5 for Keyboard and Orchestra in F minor, BWV 1056 part of: Kantate, BWV 156 "Ich steh mit einem Fuß im Grabe"	Johann Sebastian Bach		2:24
14	Sonata from Cantata, BWV 31 orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret": I. Sonata composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1715) part of: Kantate, BWV 31 "Der Himmel lacht! die Erde jubilieret"	Johann Sebastian Bach		2:25
15	Sinfonia from Wehnachts-Oratorium (II. Teil), BWV 248 orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Weihnachts-Oratorium, BWV 248: Teil II, X. Sinfonia premiered in: Leipzig (on 1734-12-26) composed in: Leipzig (from 1734 until 1735) composer: Johann Sebastian Bach (German Baroque period composer & musician) part of: Weihnachts-Oratorium, BWV 248 (Christmas Oratorio, BWV 248, "Christmas Oratorio")	Johann Sebastian Bach		6:02
16	Sonatina from Cantata, BWV 106 orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit": I. Sonatina composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1707) part of: Kantate, BWV 106 "Gottes Zeit ist die allerbeste Zeit"	Johann Sebastian Bach		2:44
17	Choral: "Jesus bleibet meine Freude" from Cantata, BWV 147 choir vocals: Taverner Consort (in 1987) orchestra: Taverner Players (in 1987) conductor: Andrew Parrott (conductor) (in 1987) phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring) (in 1987) premiered in: Leipzig (on 1723-07-02) lyricist: Martin Janus (German Protestant minister, c. 1620–1682) (in 1665) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1723) part of: Classic 100: Piano (2025) (number: 15) part of: Kantate, BWV 147 „Herz und Mund und Tat und Leben“	Johann Sebastian Bach		2:16
18	Sinfonia from Cantata, BWV 174 orchestra: Taverner Players conductor: Andrew Parrott (conductor) performer: Taverner Consort and Taverner Players phonographic copyright (℗) by: EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1988) recording of: Kantate, BWV 174 „Ich liebe den Höchsten von ganzem Gemüte“: I. Sinfonia premiered in: Leipzig (on 1729-06-06) composer: Johann Sebastian Bach (German Baroque period composer & musician) (in 1729) librettist: Christian Friedrich Henrici (in 1728) is based on: Brandenburgisches Konzert Nr. 3 G-Dur, BWV 1048: I. Allegro part of: Kantate, BWV 174 "Ich liebe den Höchsten von ganzem Gemüte"	Johann Sebastian Bach		5:43

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manufactured in:	USA

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Release information

Barcode:: 724356130425
Format:: CD
Length:: 1:00:17

Additional details

Type:: Album
Status:: Official
Language:: English
Script:: Latin
Data quality:: Normal

Labels

Virgin Classics
7243 5 61304 2 5
Virgin Classics
CDM 7243 5 61304 25

Release events

United States
1996

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Last updated on 2025-02-13 14:47 UTC