Crosscurrents

~ Release by Bill Evans Trio with Lee Konitz & Warne Marsh (see all versions of this release, 7 available)

Tracklist

1▼CD
#TitleRatingLength
1Eiderdown
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley
recording of:
Eiderdown (from 1977-02-28 until 1977-03-02)
composer:
Steve Swallow
publisher:
Blue Horizon Music
8:21
2Ev'ry Time We Say Goodbye
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:32
3Pensativa
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley
recording of:
Pensativa (from 1977-02-28 until 1977-03-02)
composer:
Clare Fischer
publisher:
Amestoy Music
5:39
4Speak Low
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley
instrumental recording of:
Speak Low (One Touch of Venus) (from 1977-02-28 until 1977-03-02)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
publisher:
Chappell & Co.
part of:
One Touch of Venus (1943 musical)
6:34
5When I Fall in Love
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley
instrumental cover recording of:
When I Fall in Love (from 1977-02-28 until 1977-03-02)
lyricist:
Edward Heyman
composer:
Victor Young (American composer, arranger, violinist & conductor)
publisher:
Avenue Music Co. Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Intersong U.S.A. (publisher), Northern Music (song publisher), Victor Young Publishing, Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
4:19
6Night and Day
recording engineer:
Phil Kaffel (from 1977-02-28 until 1977-03-02)
engineer:
Phil Kaffel
producer:
Helen Keane
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
6:07
7Eiderdown (take 9)
engineer:
Phil Kaffel
producer:
Helen Keane
mixer:
Danny Kopelson (in 1992-06)
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley (in 1992-06)
recording of:
Eiderdown (from 1977-02-28 until 1977-03-02)
composer:
Steve Swallow
publisher:
Blue Horizon Music
5:38
8Ev'ry Time We Say Goodbye (take 7)
engineer:
Phil Kaffel
producer:
Helen Keane
mixer:
Danny Kopelson (in 1992-06)
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley (in 1992-06)
instrumental recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:31
9Night and Day (take 9)
engineer:
Phil Kaffel
producer:
Helen Keane
mixer:
Danny Kopelson (in 1992-06)
double bass:
Eddie Gomez (jazz double bassist) (from 1977-02-28 until 1977-03-02)
drums (drum set):
Eliot Zigmund (from 1977-02-28 until 1977-03-02)
piano:
Bill Evans (pianist) (from 1977-02-28 until 1977-03-02)
recorded at:
Fantasy Studios (Berkeley) in Berkeley (from 1977-02-28 until 1977-03-02)
mixed at:
Fantasy Studios (Berkeley) in Berkeley (in 1992-06)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (from 1977-02-28 until 1977-03-02)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
7:05

Credits

Release

printed in:United States