Aretha’s Jazz

~ Release by Aretha Franklin (see all versions of this release, 4 available)

Tracklist

1▼CD
#TitleRatingLength
1Ramblin’
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-24) and Frank Wess (on 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-24)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-24)
drums (drum set):
Bruno Carr (on 1968-09-24)
guitar:
Kenny Burrell (on 1968-09-24)
piano:
Junior Mance (on 1968-09-24)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-24) and Seldon Powell (on 1968-09-24)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-24), Urbie Green (on 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-24) and Benny Powell (jazz trombonist) (on 1968-09-24)
trumpet:
Bernie Glow (on 1968-09-24), Joe Newman (US jazz trumpeter) (on 1968-09-24), Ernie Royal (on 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-24) and Snookie Young (on 1968-09-24)
vibraphone:
Jack Jennings (on 1968-09-24)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-24)
conductor:
Arif Mardin (on 1968-09-24)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (on 1968-09-24)
recording of:
Ramblin’ (on 1968-09-24)
writer:
Maybelle Smith
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
3:10
2Today I Sing the Blues
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-04-17) and Frank Wess (on 1968-04-17)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-04-17)
bass:
Jerry Jemmott (on 1968-04-17)
drums (drum set):
Roger Hawkins (on 1968-04-17)
guitar [lead guitar]:
Tommy Cogbill (on 1968-04-17)
guitar [rhythm guitar]:
Jimmy Johnson (guitar, producer, Muscle Shoals rhythm section) (on 1968-04-17)
organ:
Spooner Oldham (on 1968-04-17)
piano:
Aretha Franklin (on 1968-04-17)
tenor saxophone:
King Curtis (saxophonist) (on 1968-04-17) and Seldon Powell (on 1968-04-17)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-04-17), Urbie Green (on 1968-04-17), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-04-17) and Benny Powell (jazz trombonist) (on 1968-04-17)
trumpet:
Bernie Glow (on 1968-04-17), Joe Newman (US jazz trumpeter) (on 1968-04-17), Ernie Royal (on 1968-04-17), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-04-17) and Snookie Young (on 1968-04-17)
vibraphone:
Jack Jennings (on 1968-04-17)
woodwind:
David Newman (American jazz saxophonist) (on 1968-04-17)
conductor:
Arif Mardin (on 1968-04-17)
arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1969)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (on 1968-04-17)
cover recording of:
Today I Sing the Blues (on 1968-04-17)
writer:
Curley Hamner
composer:
Curtis Lewis (US songwriter)
publisher:
Bess Music and BMG Music Publishing Ltd.
4:25
3Pitiful
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-24) and Frank Wess (on 1968-09-24)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-24)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-24) and Seldon Powell (on 1968-09-24)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-24), Urbie Green (on 1968-09-24), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-24) and Benny Powell (jazz trombonist) (on 1968-09-24)
trumpet:
Bernie Glow (on 1968-09-24), Joe Newman (US jazz trumpeter) (on 1968-09-24), Ernie Royal (on 1968-09-24), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-24) and Snookie Young (on 1968-09-24)
vibraphone:
Jack Jennings (on 1968-09-24)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-24)
conductor:
Arif Mardin (on 1968-09-24)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (on 1968-09-24)
recording of:
Pitiful (on 1968-09-24)
writer:
Charlie Singleton (composer/lyricist) and Rose Marie McCoy
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
53:04
4Crazy He Calls Me
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-26) and Frank Wess (on 1968-09-26)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-26)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-26)
drums (drum set):
Bruno Carr (on 1968-09-26)
guitar:
Kenny Burrell (on 1968-09-26)
organ:
Joe Zawinul (jazz and fusion keyboard player) (on 1968-09-26)
piano:
Junior Mance (on 1968-09-26)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-26) and Seldon Powell (on 1968-09-26)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-26), Urbie Green (on 1968-09-26), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-26) and Benny Powell (jazz trombonist) (on 1968-09-26)
trumpet:
Bernie Glow (on 1968-09-26), Joe Newman (US jazz trumpeter) (on 1968-09-26), Ernie Royal (on 1968-09-26), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-26) and Snookie Young (on 1968-09-26)
vibraphone:
Jack Jennings (on 1968-09-26)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-26)
conductor:
Arif Mardin (on 1968-09-26)
arranger:
Arif Mardin
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (on 1968-09-26)
cover recording of:
Crazy He Calls Me (on 1968-09-26)
lyricist:
Sidney Keith Russell (US songwriter/lyricist Sidney Keith “Bob” Russell)
composer:
Carl Sigman
publisher:
Harrison Music Corp., Major Songs, Music Sales Corporation (American copyright holder in both popular and classical music) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:26
5Bring It On Home to Me
recording engineer:
Tom Dowd
producer:
Tom Dowd and Jerry Wexler
alto saxophone:
George Dorsey (on 1968-09-25) and Frank Wess (on 1968-09-25)
baritone saxophone:
Pepper Adams (baritone saxophonist) (on 1968-09-25)
bass:
Ron Carter (US jazz double-bassist) (on 1968-09-25)
drums (drum set):
Bruno Carr (on 1968-09-25)
electric piano:
Joe Zawinul (jazz and fusion keyboard player) (on 1968-09-25)
guitar:
Kenny Burrell (on 1968-09-25)
piano:
Junior Mance (on 1968-09-25)
tenor saxophone:
King Curtis (saxophonist) (on 1968-09-25) and Seldon Powell (on 1968-09-25)
trombone:
Jimmy Cleveland (US jazz trombonist) (on 1968-09-25), Urbie Green (on 1968-09-25), Thomas Mitchell (US rock singer active in the early 60's) (on 1968-09-25) and Benny Powell (jazz trombonist) (on 1968-09-25)
trumpet:
Bernie Glow (on 1968-09-25), Joe Newman (US jazz trumpeter) (on 1968-09-25), Ernie Royal (on 1968-09-25), Richard Williams (Richard Gene Williams, jazz trumpeter) (on 1968-09-25) and Snookie Young (on 1968-09-25)
vibraphone:
Jack Jennings (on 1968-09-25)
woodwind:
David Newman (American jazz saxophonist) (on 1968-09-25)
conductor:
Arif Mardin (on 1968-09-25)
arranger:
Arif Mardin
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1969)
recorded at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (on 1968-09-25)
cover recording of:
Bring It On Home to Me (on 1968-09-25)
lyricist and composer:
Sam Cooke (American singer and songwriter, “King of Soul”)
publisher:
ABKCO Music, ABKCO Music Ltd., ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”) and Kags Music Corp.
3:44
6Somewhere
recording engineer:
Phil Schier (in 1972-04)
engineer:
Phil Schier
producer:
Aretha Franklin and Quincy Jones
mixer:
Quincy Jones and Phil Schier
alto saxophone:
Phil Woods (US jazz woodwind player) (in 1972-04)
piano:
Aretha Franklin (in 1972-04)
conductor:
Quincy Jones
remixer:
Quincy Jones and Phil Schier
arranger:
Aretha Franklin and Quincy Jones
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
cover recording of:
West Side Story: Ballet Sequence: Somewhere (Consuelo and Company) (in 1972-04)
lyricist:
Stephen Sondheim
composer:
Leonard Bernstein (American conductor, composer, pianist)
publisher:
Amberson Enterprises, Inc., Campbell Connelly & Co. Ltd., Chappell & Co Ltd., Chappell & Co., Inc. (USA), G. Schirmer, G. Schirmer Inc., PolyGram Music Publishing Ltd., The Leonard Bernstein Music Publishing Co., LLC, Universal - Polygram and Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
part of:
West Side Story: Ballet Sequence
6:17
7Moody’s Mood
recording engineer:
Phil Schier (in 1972-04)
producer:
Aretha Franklin and Quincy Jones
conductor:
Quincy Jones
remixer:
Quincy Jones and Phil Schier
arranger:
Quincy Jones
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
cover recording of:
I’m in the Mood for Love (in 1972-04)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) and EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
3:00
8Just Right Tonight
recording engineer:
Phil Schier (in 1972-04)
producer:
Aretha Franklin and Quincy Jones
piano:
Billy Preston (in 1972-04)
conductor:
Quincy Jones
remixer:
Quincy Jones and Phil Schier
arranger:
Quincy Jones
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973)
recorded at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood
recording of:
Just Right Tonight (in 1972-04)
writer:
Robert Bruce (US jazz composer/publisher of the 40s/50s), Buddy Feyne, Aretha Franklin, Quincy Jones and Avery Parrish
publisher:
Intersong Music, Popular Music Co. and Rightsong Music
is based on:
Blues After Hours
7:43

Credits

Release

manufactured in:United States
printed in:United States