| # | Title | Rating | Length |
|---|
| A1 | Anytime | 4 | 4:31 |
| A2 | Could- recording engineer:
- Chris Wood
- miscellaneous support:
- Suzie Katayama (task: orchestra contractor / coordinator)
- drum machine programming:
- Anthony Nance
- assistant engineer:
- Mary Ann Souza
- engineer:
- David Reitzas (other instruments [orchestra])
- executive producer:
- Bruce Carbone and Herb Trawick
- producer:
- Brian McKnight
- assistant mixer:
- Tom Bender
- mixer:
- Mick Guzauski
- bass:
- Oscar Meza, Jr. and David Young
- cello:
- Chris Ermacoff, Larry Corbett, Suzie Katayama, Steve Richards , Dan Smith and Rudy Stein
- French horn:
- David Duke , Joe Meyer and Brad Warnaar
- keyboard and background vocals and lead vocals:
- Brian McKnight
- viola:
- Bob Becker , Denyse Buffum, Scott Haupert , Janet Lakatos, Maria Newman and John Scanlon
- violin:
- Murray Adler, Susan Chatman, Ron Clark , Bruce Dukov, Armen Garabedian, Berj Garabedian, James Getzoff , Harris Goldman, Endre Granat , Peter Kent , Joy Lyle, Mike Markman, Ralph Morrison, Bob Peterson , Barbra Porter , Jay Rosen , Anatoly Rosinsky, John Wittenberg and Ken Yerke
- orchestrator:
- Bill K. Meyers
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1997)
- recorded at:
- Backroom Studios in Glendale and Capitol Studios in Hollywood
- mixed at:
- Barking Doctor Recording in Mount Kisco
- recording of:
- Could (in 1997)
- writer:
- Brandon Barnes and Brian McKnight
- publisher:
- Brandon Barnes Music, Cancelled Lunch Music and Universal–Songs of PolyGram International, Inc.
| 5 | 4:27 |
| A3 | You Should Be Mine (Don't Waste Your Time)- recording engineer:
- Andy Cardenas, Joe Pererra and Axel Niehaus
- programming:
- v.d. Toorn
- co-engineer:
- Jon "JM" Meredith and Pierre Smith
- engineer:
- Jon "JM" Meredith and Pierre Smith
- executive producer:
- Bruce Carbone and Herb Trawick
- producer:
- Ron Lawrence , Sean Combs and Stevie J.
- background vocals and guest background vocals:
- Kelly Price
- guest vocals, other vocals [rap vocals] and guest performer:
- Mase
- lead vocals:
- Brian McKnight
- vocals:
- Mase and Kelly Price
- vocals arranger:
- Kelly Price
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1997)
- produced for:
- Bad Boy Entertainment, Inc. and The Mystery System, Inc.
- recorded at:
- Caribbean Sound Basin in Port of Spain and Daddy’s House Recording Studio in New York
- samples:
- I Got Ants in My Pants, Part 1 by James Brown
- recording of:
- You Should Be Mine (Don't Waste Your Time)
- writer:
- James Brown , Ron Lawrence , Mason Betha , Brian McKnight, Kelly Price, Sean Combs and Steven Jordan
- publisher:
- AUSAR Music, Dynatone Publishing Co., EMI April Music Inc., Justin Combs Publishing, Price Is Right Publishing, Songs of Universal, Inc. , Steven A. Jordan Music, Inc. and Universal Music Careers
| 3.65 | 4:31 |
| A4 | Show Me the Way Back to Your Heart | 4 | 3:55 |
| A5 | Everytime We Say Goodbye | 3 | 4:05 |
| A6 | You Got the Bomb | 3 | 4:41 |
| B1 | Hold Me- miscellaneous support:
- Rich Travali (task: recorder)
- drum machine programming:
- Poke and Tone
- executive producer:
- Bruce Carbone and Herb Trawick
- producer:
- Poke , Poke and Tone and Tone
- mixer:
- Rich Travali
- keyboard:
- Cory Rooney
- background vocals:
- DJ Clue? and Willie Max
- lead vocals:
- Brian McKnight
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1997)
- recorded at:
- Crave Studios in New York, United States and The Hit Factory in Manhattan
- samples:
- I Get Around by 2Pac
- recording of:
- Hold Me (in 1997)
- writer:
- Mary J. Blige, Gregory Edward Jacobs, Shirley Murdock, Poke , Ronald R. Brooks , Cory Rooney, Samuel J. “Tone” Barnes , Tupac Shakur and Larry Troutman
- publisher:
- 12 & Under Music, BMG Platinum Songs US, Cancelled Lunch Music, Joshua’s Dream, PolyGram International Publishing, Inc. , Pubhowyalike Publishing, R2M Music , Round Hill Compositions, Slamuwell Productions, Songs of Lastrada , Sony/ATV Songs LLC, Tricky Track Music Inc., Twelve and Under Music and Universal Music–Z Songs
| 4 | 3:49 |
| B2 | The Only One for Me | 4 | 5:13 |
| B3 | Til I Get Over You | 3 | 4:58 |
| B4 | I Belong to You | 3 | 4:47 |
| B5 | Jam Knock | 3 | 4:34 |
| B6 | When the Chariot Comes- recording engineer:
- Chris Wood
- miscellaneous support:
- Suzie Katayama (task: orchestra contractor / coordinator)
- assistant engineer:
- Doug Elkins
- engineer:
- David Reitzas (other instruments [orchestra])
- executive producer:
- Bruce Carbone and Herb Trawick
- producer:
- Brian McKnight
- assistant mixer:
- Tom Bender
- mixer:
- Mick Guzauski
- alto flute:
- Gerry Rotella and Louise De Tullio
- bass:
- Oscar Meza, Jr. and David Young
- cello:
- Chris Ermacoff, Larry Corbett, Suzie Katayama, Steve Richards , Dan Smith and Rudy Stein
- cor anglais [english horn]:
- Jon Clarke
- cornet [coronet / trumpet]:
- Rick Baptist
- French horn:
- David Duke , Joe Meyer and Brad Warnaar
- instruments:
- Don Williams
- keyboard and background vocals and lead vocals:
- Brian McKnight
- percussion:
- Dan Greco and Bob Zimmitti
- viola:
- Bob Becker , Denyse Buffum, Scott Haupert , Janet Lakatos, Maria Newman and John Scanlon
- violin:
- Murray Adler, Susan Chatman, Ron Clark , Bruce Dukov, Armen Garabedian, Berj Garabedian, James Getzoff , Harris Goldman, Endre Granat , Peter Kent , Joy Lyle, Mike Markman, Ralph Morrison, Bob Peterson , Barbra Porter , Jay Rosen , Anatoly Rosinsky, John Wittenberg and Ken Yerke
- orchestrator:
- Bill K. Meyers
- phonographic copyright (℗) by:
- UMG Recordings, Inc. (in 1997)
- recorded at:
- Backroom Studios in Glendale and Capitol Studios in Hollywood
- mixed at:
- Barking Doctor Recording in Mount Kisco
- recording of:
- When the Chariot Comes (in 1997)
- writer:
- Brandon Barnes and Brian McKnight
- publisher:
- Cancelled Lunch Music and PolyGram International Publishing, Inc.
| 3 | 4:32 |
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