Notting Hill: Music From the Motion Picture

~ Release by Various Artists (see all versions of this release, 11 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1From the Heart
engineer:
Ali Boudris and Mario Luccy
executive producer:
Diane Warren (US songwriter)
producer:
Khris Kellow
assistant mixer:
Tom Bender (engineer)
mixer:
Mick Guzauski
guitar:
Ali Boudris
recorded at:
Bananaboat Studios in Burbank and Realsongs in Los Angeles
mixed at:
Barking Doctor Recording in Mount Kisco
recording of:
From the Heart
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) and Realsongs
Another Level4:53
2When You Say Nothing at All
programming and producer:
Stephen Lipson
engineer and mixer:
Heff Moraes
accordion and whistle:
James McNally
bass:
Stephen Lipson
drums (drum set):
Andy Duncan (UK drummer and producer)
guitar:
Dominic Miller (guitarist)
keyboard:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Tessa Niles and Miriam Stockley
vocals:
Ronan Keating
phonographic copyright (℗) by:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1999) and Polygram Ireland Ltd. (in 1999)
recorded at:
Metropolis (London) in London (Greater London) and The Aquarium (Studio) in London (Greater London)
mixed at:
The Aquarium (Studio) in London (Greater London)
cover recording of:
When You Say Nothing at All
writer:
Paul Overstreet (country singer and songwriter) and Don Schlitz
Ronan Keating2.754:15
3She
recording engineer:
Gareth Cousins and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Paul Hicks
producer:
Trevor Jones (South African score composer)
mixer:
Gareth Cousins
bass guitar:
Trevor Barry
drums (drum set):
Paul Clarvis (percussionist)
instruments:
Clem Clempson
piano:
Dave Hartley (pianist)
vibraphone:
Frank Ricotti (percussionist)
vocals:
Elvis Costello
orchestra:
London Symphony Orchestra
conductor:
Geoffrey Alexander
arranger:
Julian Kershaw
phonographic copyright (℗) by:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 1999)
recorded at and mixed at:
Abbey Road Studios in St John's Wood
cover recording of:
She (Seven Faces of Woman)
lyricist:
Herbert Kretzmer
composer:
Charles Aznavour
publisher:
Essex Music International, Inc. and Standard Music Publishing Ltd.
translated version of:
Tous les visages de l’amour
Elvis Costello2.53:08
4How Can You Mend a Broken Heart
producer:
Willie Mitchell (US soul/R&B & funk producer, trumpeter & singer)
drums (drum set):
Howard Grimes and Al Jackson, Jr. (Booker T & The MGs drummer)
electric bass guitar:
Leroy Hodges
guitar family:
Mabon Hodges (“Teenie”, soul guitarist)
organ and piano:
Charles Hodges (soul organist)
saxophone:
James Mitchell (US saxophonist/arranger)
tenor saxophone:
Ed Logan
trombone:
Jack Hale (trombone)
trumpet:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns)
background vocals:
Charles Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes and Sandra Rhodes
recorded at:
Royal Studios in Memphis
cover recording of:
How Can You Mend a Broken Heart
written in:
Kensington
writer:
Barry Gibb and Robin Gibb
publisher:
Abigail Music (London) Ltd. (publisher), BMG Music, Careers Music, Inc., Careers–BMG Music Publishing, Inc., Crompton Songs, Gibb Brothers Music, Robin Gibb Publishing Ltd., Songs of Universal, Inc. (BMI), Universal Music Careers and Universal Music Publishing International MGB Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Al Green3.76:26
5In Our Lifetime
recording engineer:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny Mac, Kenny McDonald (engineer) and Sharleen Spiteri
additional programming:
Kenny MacDonald
programming:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Richard Hynd, Johnny McElhone, Sharleen Spiteri and Texas (Scottish pop rock band)
producer:
Johnny Mac
mixer:
Mark “Spike” Stent (producer, engineer)
additional percussion [beats]:
Ben Chapman
drums (drum set):
Richard Hynd
guitar:
Johnny McElhone and Ally McErlaine (Scottish guitarist)
keyboard:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Johnny McElhone and Sharleen Spiteri
background vocals:
Eddie Campbell (Scottish keyboardist for Texas/The Incredible Blondes), Robert Hodgens and Sharleen Spiteri
phonographic copyright (℗) by:
Grand Central Records Ltd. and Mercury Records Ltd. (London) (for copyrights use only)
recorded at:
Park Lane Studios in Glasgow and Shar's House in Scotland
mixed at:
Olympic Studios (1966–2009) in Barnes and The Mix Suite in London (Greater London)
recording of:
In Our Lifetime
lyricist and composer:
Johnny McElhone and Sharleen Spiteri
publisher:
EMI 10 Music
Texas34:08
6I Do (Cherish You)
assistant recording engineer:
Greg Parker (engineer)
recording engineer and mixer:
Bill Whittington
drum machine programming:
Mark Hammond (US drummer/producer/drum programmer)
producer:
Keith Thomas (CCM, country, pop producer & songwriter)
bass and keyboard:
Keith Thomas (CCM, country, pop producer & songwriter)
guitar family:
Gordon Kennedy (US country/bluegrass songwriter/musician)
lead vocals:
Nick Lachey
phonographic copyright (℗) by:
Motown Record Company, L.P. (company credits only; do NOT use as release label) (in 1998)
recorded at and mixed at:
The Bennett House in Franklin
cover recording of:
I Do (Cherish You)
writer:
Dan Hill (Canadian singer/songwriter) and Keith Stegall (American country singer / songwriter and record producer)
publisher:
Big Picture Entertainment, If Dreams Had Wings Music Ltd., November One Songs, Songs of Kobalt Music Publishing, Universal Music–Z Songs and Smash Vegas Music (in 1997)
98 Degrees53:47
7Born to Cry
assistant engineer:
Paul 'Pdub' Walton
additional producer:
Mark “Spike” Stent (producer, engineer)
producer:
Simon Dawson (engineer)
mixer:
Mark “Spike” Stent (producer, engineer)
editor:
Jan Kybert (producer / mixer / engineer)
lead vocals:
Jarvis Cocker
recorded at:
Axis Studios in Doncaster (from 1998-10-31 until 1998-11-01)
mixed at:
Olympic Studios (1966–2009) in Barnes (from 1998 until 1999)
recording of:
Born to Cry
lyricist:
Jarvis Cocker
composer:
Nick Banks, Jarvis Cocker, Candida Doyle, Richard Hawley (English guitarist, singer-songwriter and producer from Sheffield), Steve Mackey (producer; Pulp bassist) and Mark Andrew Webber (Guitarist with Pulp)
premiered at:
Pulp at Motorpoint Arena (2012-12-08)
Pulp5:34
8Ain’t No Sunshine
recording engineer and mixer:
Phil Bodger (engineer)
programming:
Gota Yashiki
producer:
Tim Laws and Paul Tucker
bass:
Wayne Stobbart
guitar:
Mark Jalmes
piano:
Pete Wingfield (keyboardist, singer, producer, songwriter)
background vocals:
Lawrence Johnson and Priscilla-Mae Jones
strings arranger:
Wil Malone
recorded at and mixed at:
Olympic Studios (1966–2009) in Barnes
cover recording of:
Ain’t No Sunshine
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Lighthouse Family3:43
9You’ve Got a Way (Notting Hill remix)
programming:
Olle Romo (Swedish music producer, songwriter, and drummer)
producer:
Robert John “Mutt” Lange (Robert John Lange)
bass:
Joe Chemay
drums (drum set):
Paul Leim
electric sitar:
Dann Huff
guitar:
Joe Chemay, Dann Huff and Bill Watson
synthesizer:
Arthur Stead
remixer:
Olle Romo (Swedish music producer, songwriter, and drummer)
recording of:
You’ve Got a Way
writer:
Eilleen Regina Lange and Robert John Lange
publisher:
Out-of-Pocket Productions Ltd.
Shania Twain3:24
10Gimme Some Lovin’
producer:
Chris Blackwell (Island Records) and Jimmy Miller (producer for Rolling Stones/Nirvana etc)
phonographic copyright (℗) by:
Island Records Ltd. (not for release label use! company known by this name from 1962‐05‐08 to 1999‐03‐29, and since 2014‐06‐25) (in 1966)
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 244)
recording of:
Gimme Some Lovin’
writer:
Spencer Davis, Muff Winwood (bass player, songwriter, producer) and Steve Winwood
publisher:
Kobalt Music Publishing Ltd. (UK), Shinko Music Entertainment Co., Ltd., Songs of Kobalt Music Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishing, Synch Division, Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Warner Chappell Music Ltd. (no slash; used 1988–1996), Yamaha Music EH(CM) and Island Music Ltd. (from 1966 to ????)
Spencer Davis Group4.153:00
11Will and Anna (score)
recording engineer and mixer:
Gareth Cousins and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Paul Hicks
producer:
Trevor Jones (South African score composer)
acoustic guitar:
Craig Ogden (guitarist)
piano:
Dave Arch (pianist, conductor, arranger and composer)
synthesizer:
Trevor Jones (South African score composer)
orchestra:
The London Symphony Orchestra (London Symphony Orchestra)
conductor:
Geoffrey Alexander
orchestrator:
Geoffrey Alexander, Trevor Jones (South African score composer) and Julian Kershaw
recorded at and mixed at:
Abbey Road Studios in St John's Wood and CMMP Studios in London (Greater London)
recording of:
Will and Anna (Notting Hill)
composer:
Trevor Jones (South African score composer)
Trevor Jones3:37
12Notting Hill (score)
recording engineer and mixer:
Gareth Cousins and Simon Rhodes (senior recording engineer at Abbey Road Studios)
assistant engineer:
Paul Hicks
producer:
Trevor Jones (South African score composer)
acoustic guitar:
Craig Ogden (guitarist)
guitar:
Clem Clempson
piano:
Dave Arch (pianist, conductor, arranger and composer)
synthesizer:
Trevor Jones (South African score composer)
orchestra:
The London Symphony Orchestra (London Symphony Orchestra)
conductor:
Geoffrey Alexander
orchestrator:
Geoffrey Alexander, Trevor Jones (South African score composer) and Julian Kershaw
recorded at and mixed at:
Abbey Road Studios in St John's Wood and CMMP Studios in London (Greater London)
recording of:
Notting Hill
composer:
Trevor Jones (South African score composer)
Trevor Jones4:46
13Ain’t No Sunshine
recording engineer:
Bill Halverson (in 1971) and Bill Lazarus (in 1971)
producer:
Booker T. Jones
mixer:
John Golden (mastering engineer)
acoustic guitar:
Stephen Stills (in 1971)
drums (drum set):
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
electric bass guitar:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
lead vocals:
Bill Withers (in 1971)
strings arranger:
Booker T. Jones
phonographic copyright (℗) by:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) and Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
part of:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (number: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 280) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 309)
recording of:
Ain’t No Sunshine (in 1971)
lyricist and composer:
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) and EMI Songs Ltd.
Bill Withers4.52:04

Credits

Release

mastering:George Marino (mastering engineer)