Tag “other classical”
~ Tag
Registrazioni taggate come “other classical”
163 registrazioni trovate
- 2 - Allegretto di bond (female neo-classical quartet)
- 2 - Carmen: Flower Song di Plácido Domingo (tenor), Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France), Lorin Maazel (conductor)
- 2 - Don Giovanni: “Dalla sua pace” di Hans Peter Blochwitz (tenor), Royal Concertgebouw Orchestra, Nikolaus Harnoncourt (conductor)
- 2 - Elegiac Melody, op. 34 no. 2: Last Spring (mixed recordings/credits) di Dresdner Philharmonie (Dresden Philharmonic Orchestra), Festivalový orchestr Praha (Prague Festival Orchestra), Herbert Kegel (conductor), Pavel Urbanek (an Alfred Scholz pseudonym)
- 2 - Fuego di bond (female neo-classical quartet)
- 2 - Gianni Schicchi: “O mio babbino caro” di Cristina Gallardo‐Domâs (soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Maurizio Barbacini
- 2 - La traviata: Atto I. “Un dì felice” di Edita Gruberová (soprano), Neil Shicoff (tenor), London Symphony Orchestra, Carlo Rizzi (conductor)
- 2 - Lakme: Flower Duet di Hong Hei-Kyung (operatic soprano), Jennifer Larmore (mezzo-soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Jesús López Cobos (conductor)
- 2 - Le Nozze di Figaro: “Porgi, amor” di Lella Cuberli (soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Daniel Barenboim (pianist and conductor)
- 2 - Orpheus and Euridice: “What is life?” di Susan Graham White, Orchestra of the Age of Enlightenment, Harry Bicket (harpsichordist, organist and conductor)
- 2 - Otello: “Ave Maria” di Cristina Gallardo‐Domâs (soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Maurizio Barbacini
- 2 - Rinaldo: “Lascia ch'io pianga“ di Marilyn Horne (American operatic mezzo-soprano), I Solisti Veneti, Claudio Scimone (conductor)
- 2 - Toccata and Fugue in D minor di Vanessa‐Mae & Royal Philharmonic Orchestra
- 1 - 18th Variation From Rhapsody on a Theme of Paganini di Nicolai Evrov (pianist)
- 1 - A vuchella di Robert Meadmore
- 1 - Adagio for Strings di New York Philharmonic, Leonard Bernstein (American conductor, composer, pianist)
- 1 - Adagio in G minor, Arr. Giazotto di [unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Aida: “Celeste Aida” di Plácido Domingo (tenor), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Nello Santi (conductor)
- 1 - Air On The G String di Festival Strings Lucerne, Rudolf Baumgartner (conductor)
- 1 - Andante in C di Timothy Walker (South African classical guitarist)
- 1 - Anitras Dance From Peer Gynt Suite no. 1 di [unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Big Love Adagio di bond (female neo-classical quartet)
- 1 - Bond on Bond di bond (female neo-classical quartet)
- 1 - Butterfly Lovers Violin Concerto - Act I di Vanessa‐Mae
- 1 - Canon and Gigue in D major: Canon di Neues Bachisches Collegium Musicum (New Bach Collegium Musicum), Max Pommer (conductor)
- 1 - Carmen : Acte II. Entr'acte di Slovak Radio Symphony Orchestra, Alexander Rahbari (Ali Rahbari, often credited as “Alexander” Rahbari)
- 1 - Carmen: Micaela's Aria « Je dis que rien ne m’épouvante » di Angela Gheorghiu (Romanian soprano), Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany), Giuseppe Sinopoli (conductor)
- 1 - Carmina burana: Fortuna imperatrix mundi: O fortuna - Fortune plango vulnera di Ernst Hinreiner (conductor), Richard Brünner (tenor), Gerda Hartmann (soprano), Rudolf Knoll (operatic baritone), Salzburg Mozarteum Chorus, The European Philharmonic Orchestra (an Alfred Scholz pseudonym, NOT the Austrian orchestra of the same name), Salzburg Mozarteum Orchestra, Hymisher Greenburg (probably a pseudonym of Alfred Sholz), Kurt Prestel (conductor, chorus master)
- 1 - Carmina Burana: In trutina di Bournemouth Symphony Chorus, Janice Watson (soprano), Bournemouth Symphony Orchestra, David Hill (British organist and conductor)
- 1 - Clarinet Concerto in A major K. 622: II. Adagio di Alexander Grigorov, Vienna Chamber Orchestra
- 1 - Contrapunctus 2 di Amsterdam Loeki Stardust Quartet
- 1 - Dance of the Flutes From the Nutcracker di Russian State Symphony Orchestra (State Symphony Capella of Russia, founded and often directed by V. Polyansky), Serge Tchaikov (conductor, unknown pseudonym, probably Alfred Scholz related)
- 1 - Dido and Aeneas: Act III, Scene II. "When I am laid in earth" (Dido) di Véronique Gens (soprano), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
- 1 - Don Giovanni: “Eh, vieni alla finestra” di Rosa Mannion (soprano), Anton Scharinger (bass-baritone), Les Arts Florissants (French baroque ensemble), William Christie (harpsichordist and conductor)
- 1 - Fedora: “Amor ti vieta” di Plácido Domingo (tenor), Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin), Nello Santi (conductor)
- 1 - First movement (Grave) From Concerto Grosso in G minor op. 6 no. 8 di [unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
- 1 - First movement From Holberg Suite di [unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Fourth movement (Air) From the Water Music Suite no. 1 in F di [unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Gypsy Rhapsody di bond (female neo-classical quartet)
- 1 - Humoreske, op. 101 no. 7 di Richard Steiner (pianist)
- 1 - Inno di Mameli di The National Military Band, Eric Banks (UK conductor, resident in Adelaide, South Australia)
- 1 - James Bond Theme (from “Dr No”) di The London Theatre Orchestra (they record for Hallmark Records)
- 1 - Kashmir di bond (female neo-classical quartet)
- 1 - Korobushka di bond (female neo-classical quartet)
- 1 - L’elisir d’amore: Romanza: “Una furtiva lagrima” di Roberto Alagna (tenor), English Chamber Orchestra, Marcello Viotti (conductor)
- 1 - La bohème: “Che gelida manina!” di José Carreras (Spanish tenor), James Conlon (conductor), Orchestre National de France (National Orchestra of France, RTF / ORTF / Radio France)
- 1 - La Bohème: “O soave fanciulla” di José Carreras (Spanish tenor), Barbara Hendricks (soprano), Orchestre national de France (National Orchestra of France, RTF / ORTF / Radio France), James Conlon (conductor)
- 1 - La bohème: Act I. "Si, mi chiamano Mimì" (Mimì) di Barbara Hendricks (soprano), José Carreras (Spanish tenor), Gino Quilico (baritone), Angela Maria Blasi (soprano), Chœur de Radio France, Maîtrise de Radio France, Orchestre National de France (National Orchestra of France, RTF / ORTF / Radio France), James Conlon (conductor)
- 1 - La isla bonita di Royal Philharmonic Orchestra
- 1 - La Rondine: Doretta's song di Kiri Te Kanawa (soprano), Orchestre de l’Opéra de Lyon, Kent Nagano (conductor)
- 1 - La Wally: “Ebben? Ne andro lontana“ di Cristina Gallardo‐Domâs (soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Maurizio Barbacini
- 1 - Largo di Jennifer Larmore (mezzo-soprano), Orchestre de Chambre de Lausanne (Lausanne Chamber Orchestra), Jesús López Cobos (conductor)
- 1 - Le nozze di Figaro, K. 492: Arietta "Voi, che sapete che cosa è amor" di Cecillia Bartolli (mezzo‐soprano), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Daniel Barenboim (pianist and conductor)
- 1 - Libertango di bond (female neo-classical quartet)
- 1 - Lucia di Lammermoor: Atto I, Scena 2. (no. 4a) “Egli s'avanza” (“Lucia perdona”) (Alisa, Edgardo, Lucia) di Maria Callas (soprano), Giuseppe Di Stefano (tenor), Luisa Villa (mezzo-soprano), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto I, Scena 2. (no. 4b) Duetto "Sulla tomba che rinserra" (Edgardo, Lucia) di Maria Callas (soprano), Giuseppe Di Stefano (tenor), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 1. (no. 5) Scena “Lucia fra poco a te verrà” (Normanno, Enrico) di Maria Callas (soprano), Rolando Panerai (baritone), RIAS Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Lucia di Lammermoor: Atto II, Scena 2. (no. 10a) Stretta del finale “Sconsigliato, in queste porte chi ti guida?” (Enrico, Arturo, Edgardo, Lucia, Raimondo) di Maria Callas (soprano), Rolando Panerai (baritone), Nicola Zaccaria (operatic bass), Giuseppe Zampieri (tenor), Giuseppe di Stefano (tenor), Deutsches Symphonie‐Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993), Herbert von Karajan (conductor)
- 1 - Madama Butterfly: One Fine Day di Cristina Gallardo‐Domâs (soprano), Münchner Rundfunkorchester (The Munich Radio Orchestra), Maurizio Barbacini
- 1 - Manon Lescaut: Atto I, scena 5. “Donna non vidi mai” di José Cura (tenor), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Plácido Domingo (tenor)
- 1 - Minuet di Budapest Strings (Budapest String Orchestra; Budapest Strings)
- 1 - Minuet and Trio from Symphony no. 41 (Jupiter) di Mozart Festival Orchestra (an Alfred Scholz pseudonym), Richard Edlinger (conductor and composer)
- 1 - Movement 6: Innocence di Jonathan Elias
- 1 - Oceanic di bond (female neo-classical quartet)
- 1 - Oiseaux exotiques, I/41 di Paul Crossley (pianist), London Sinfonietta, Esa-Pekka Salonen (conductor and composer)
- 1 - Panis Angelicus di Aled Jones (British classical vocalist (treble, tenor, bariton)) feat. Bryn Terfel (bass‐baritone opera singer)
- 1 - Pavane di Radio Bratislava Symphony Orchestra (Slovak Radio Symphony Orchestra)
- 1 - Pearl Fishers Duet di Jerry Hadley (operatic tenor), Thomas Hampson (baritone), Orchestra of the Welsh National Opera, Carlo Rizzi (conductor)
- 1 - Piano Concerto in A minor, op. 16: I. Allegro molto moderato (excerpt) di [unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Piano Concerto No. 21 in C major, K. 467 "Elvira Madigan": Andante di [unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Polovtsian Dances From Prince Igor (excerpt) di Bulgarian State Philharmonic Orchestra, Dobrin Petkov
- 1 - Prelude From Les Sylphides di [unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Prelude in C‐sharp minor, op. 3 no. 2 di Martin Jones (pianist)
- 1 - Prélude no. 4 in E minor, op. 28: Largo di Marián Pivka (pianist), Dubravka Tomšič (pianist)
- 1 - Rhapsody in Blue: Andante di Boyan Vodenicharov (Bulgarian pianist and composer Boyan Vodenitcharov), Balkan State Orchestra, Jo Alfidi (pianist and conductor)
- 1 - Ride di bond (female neo-classical quartet)
- 1 - Rigoletto: “La donna è mobile” di Richard Leech (operatic tenor), Orchestra of the Welsh National Opera, Carlo Rizzi (conductor)
- 1 - Romance (arr. Feeley) di [unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.)
- 1 - Rusalka: Act I. “Mesicku na nebi hlubokém” di Anna Netrebko (soprano), Wiener Philharmoniker (Vienna Philharmonic), Gianandrea Noseda (conductor)
- 1 - Rusalka: Song to the Moon di Lesley Garrett (soprano), Lucia Popp (soprano), Munich Radio Symphony Orchestra (The Munich Radio Orchestra), Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Andrew Greenwood (conductor), Stefan Soltész (conductor)
- 1 - Sahara di bond (female neo-classical quartet)
- 1 - Samson and Delilah: “Softly Awakes my Heart” di Olga Borodina (mezzo-soprano), José Cura (tenor), London Symphony Orchestra, Sir Colin Davis (English conductor)
- 1 - Second movement (Andante) From Divertimento in D K136 Salzburg Symphony no. 1 di Orchestra Filarmonica Italiana, Alessandro Arigoni
- 1 - Second movement (Andante) From Trumpet Concerto in E-flat di Ray Simmons (trumpet player), Royal Philharmonic Orchestra, Sir Charles Groves (conductor)
- 1 - Shine di bond (female neo-classical quartet)
- 1 - Slavonic March, op. 31 di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)
- 1 - Solveig’s Song from Peer Gynt Suite no. 2, op. 55 di Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Christopher Seaman (conductor)
- 1 - Space di bond (female neo-classical quartet)
- 1 - Speed di bond (female neo-classical quartet)
- 1 - Storm di Vanessa‐Mae
- 1 - Strange Paradise di bond (female neo-classical quartet)
- 1 - Symphonie Nr. 3 in F-dur, op. 90: III. Poco Allegretto di Berliner Philharmoniker (Berlin Philharmonic Orchestra), Claudio Abbado (conductor)
- 1 - Symphony in B-flat, Hob I:98: II. Adagio di Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Sir Colin Davis (English conductor)
- 1 - Symphony in B-flat, Hob I:98: III. Menuet (Allegro) di Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Sir Colin Davis (English conductor)
- 1 - Symphony in B-flat, Hob I:98: IV. Finale (Presto) di Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Sir Colin Davis (English conductor)
- 1 - Symphony in B-flat, Hob I:102: I. Largo - Vivace di Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Sir Colin Davis (English conductor)
- 1 - Symphony in B-flat, Hob I:102: II. Adagio di Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Sir Colin Davis (English conductor)
- 1 - Symphony in C minor, Hob I:95: I. Allegro moderato di Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Sir Colin Davis (English conductor)
- 1 - Symphony in C minor, Hob I:95: IV. Finale (Vivace) di Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Sir Colin Davis (English conductor)
- 1 - Symphony in D, Hob I:93: I. Adagio - Allegro assai di Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Sir Colin Davis (English conductor)