Atlantic Records: The Time Capsule

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD: 1948-1959
Nr.TitelKünstlerBewertungLänge
1Lowe Groovin’
Joe Morris Orchestra2:47
2Drinkin’ Wine Spo‐Dee‐Oh‐Dee
recorded in:
New York (am 1949-02-14)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Herb Abrahmson
Gitarre:
Brownie McGhee (am 1949-02-14) und Stick McGhee (am 1949-02-14)
Klavier:
Wilbert "Big Chief" Ellis (am 1949-02-14)
Kontrabass [bass]:
Gene Ramey (am 1949-02-14)
Schlagzeug [drums]:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1949-02-14)
Sologesang:
Stick McGhee (am 1949-02-14)
Interpret(in):
Stick McGhee and His Buddies (am 1949-02-14)
recording of:
Drinkin’ Wine, Spo‐Dee‐O‐Dee (am 1949-02-14)
Verfasser(in):
Stick McGhee und J. Mayo ‘Ink’ Williams
Stick McGhee & His Buddies3:15
3Teardrops From My Eyes
recorded in:
New York (in 1950-09)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Herb Abrahmson
Tenorsaxophon:
Budd Johnson (in 1950-09)
vocals:
Ruth Brown (in 1950-09)
Orchester:
Budd Johnson Orchestra (in 1950-09)
recording of:
Teardrops From My Eyes (in 1950-09)
Texter und Komponist(in):
Rudolph Toombs
publisher:
Rightsong Music Inc. und Simon House
Ruth Brown2:53
4One Mint Julep
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Herb Abrahmson
Klavier:
Harry Van Walls (R&B pianist) (am 1951-12-19)
Schlagzeug [drums]:
Connie Kay (am 1951-12-19)
Tenorsaxophon:
Willis Jackson (tenor saxophonist) (am 1951-12-19)
vocals:
The Clovers (US rhythm and blues/doo-wop vocal group) (am 1951-12-19)
aufgenommen bei:
Atlantic Studios (234 West 56th St., New York, 1947-1956) in Manhattan (am 1951-12-19)
recording of:
One Mint Julep (am 1951-12-19)
Texter und Komponist(in):
Rudolph Toombs
publisher:
Regent Music (BMI) und Unichappell Music
The Clovers2:29
5Mama, He Treats Your Daughter Mean
recorded in:
New York (am 1952-12-19)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Herb Abrahmson
Gitarre:
Mickey Baker (am 1952-12-19)
Schlagzeug [drums]:
Connie Kay (am 1952-12-19)
Tamburin:
Hal Jackson (broadcaster) (am 1952-12-19)
Tenorsaxophon:
Willis Jackson (tenor saxophonist) (am 1952-12-19)
Trompete:
Taft Jordan (am 1952-12-19)
vocals:
Ruth Brown (am 1952-12-19)
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2020/2021)
recording of:
(Mama) He Treats Your Daughter Mean (am 1952-12-19)
Verfasser(in):
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) und John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown2:54
6Money Honey
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
Gitarre:
Walter Adams (guitarist for The Drifters) (am 1953-08-09)
Baritongesang:
Gerhart Thrasher (am 1953-08-09)
Bass-Gesang:
Willie Ferbie (am 1953-08-09)
Sologesang:
Clyde McPhatter (am 1953-08-09)
Tenor-Gesang:
Bill Pinkney (am 1953-08-09) und Andrew Thrasher (am 1953-08-09)
aufgenommen bei:
Atlantic Recording Studio (234 West 56th St., New York, 1947-1956) in Manhattan (am 1953-08-09)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 252)
recording of:
Money Honey (am 1953-08-09)
Texter und Komponist(in):
Jesse Stone
publisher:
Carlin Music Corporation, First Digital Music, Walden Music, Inc., Walden, Inc., WB Music Corp. (1929–2019) und ZFC Music
Clyde McPhatter & The Drifters42:58
7Tipitina
recorded in und engineered in:
New Orleans (in 1953-11)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
baritone saxophone:
Alvin “Red” Tyler (American jazz saxophonist) (in 1953-11)
Bass:
Edgar Blanchard (in 1953-11)
Klavier:
Professor Longhair (in 1953-11)
Schlagzeug:
Earl Palmer (in 1953-11)
Tenorsaxophon:
Lee Allen (US jazz tenor saxophonist) (in 1953-11)
vocals:
Professor Longhair (in 1953-11)
recording of:
Tipitina (in 1953-11)
Texter und Komponist(in):
Henry Roeland Byrd
publisher:
Professor Longhair Music
Professor Longhair2:39
8Shake, Rattle & Roll
recorded in:
New York (am 1954-02-15)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
baritone saxophone:
Haywood Henry (US jazz saxophonist) (am 1954-02-15)
Gitarre:
Mickey Baker (am 1954-02-15)
Klavier:
Jesse Stone (am 1954-02-15)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1954-02-15)
Posaune:
Wilbur DeParis (am 1954-02-15)
Schlagzeug [drums]:
Connie Kay (am 1954-02-15)
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-02-15)
vocals:
Big Joe Turner (am 1954-02-15)
arranger:
Jesse Stone
Teil von:
Blues Hall of Fame: Classic of Blues Recording Single (Nummer: 2001)
cover recording of:
Shake, Rattle and Roll (am 1954-02-15)
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
recording of:
Shake, Rattle and Roll
zusätzlicher Texter:
Daryl Bosteels
Verfasser(in):
Charles Calhoun und Jesse Stone
publisher:
Campbell Connelly, Mijac Music, Nightlight Music Pty Ltd., Progressive Music (publisher), Progressive Music Publishing Company Inc., Unichappell Music und Unichappell Music, Inc.
Big Joe Turner53:00
9Sh-Boom
recorded in:
New York (am 1954-03-15)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-03-15)
vocals:
The Chords (50s US doo-wop group "Sh-Boom") (am 1954-03-15)
arranger:
Howard Biggs
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 215)
recording of:
Sh‐Boom (am 1954-03-15)
Verfasser(in):
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes und Floyd McRae
uraufgeführt von:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:26
10I Got a Woman
recorded in:
Atlanta (am 1954-11-18)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
baritone saxophone:
David “Fathead” Newman (American jazz saxophonist) (am 1954-11-18)
Bass:
Jimmy Bell (jazz bassist) (am 1954-11-18)
Gitarre:
Wesley Jackson (US R&B guitarist) (am 1954-11-18)
Klavier:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
Schlagzeug:
Glenn Brooks (am 1954-11-18)
Solo-Tenorsaxophon:
Donald Wilkerson (US jazz/R&B saxophonist) (am 1954-11-18)
Trompete:
Joe Bridgewater (am 1954-11-18) und Charles "Clanky" Whitley (am 1954-11-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1954-11-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
I Got a Woman (am 1954-11-18)
Verfasser(in):
Ray Charles (soul musician, singer and songwriter) und Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ray Charles42:52
11Since I Met You Babe
Ivory Joe Hunter2:44
12Jim Dandy
recorded in:
New York (am 1955-12-21)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
andere Instrumente:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.)
Hintergrundgesang:
The Gliders (UK rock trio) (am 1955-12-21)
Sologesang:
LaVern Baker (US rhythm & blues singer) (am 1955-12-21)
vocals:
LaVern Baker (US rhythm & blues singer)
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 344)
recording of:
Jim Dandy (am 1955-12-21)
Texter und Komponist(in):
Lincoln Chase (songwriter)
publisher:
Embassy Music Corporation und Unichappell Music, Inc.
LaVern Baker & The Gliders4.52:13
13C.C. Rider
recorded in:
New York (am 1957-01-31)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
Gitarre:
Al Caiola (am 1957-01-31) und Roy Gaines (am 1957-01-31)
Klavier:
James Harris (piano) (am 1957-01-31)
Kontrabass [bass]:
Lloyd Trotman (US jazz bassist) (am 1957-01-31)
Marimba:
Phil Kraus (am 1957-01-31)
Schlagzeug [drums]:
Panama Francis (US swing jazz drummer) (am 1957-01-31)
Tenorsaxophon:
Gene Barge (am 1957-01-31) und Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1957-01-31)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1957-01-31)
vocals:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter) (am 1957-01-31)
conductor:
Jesse Stone (am 1957-01-31)
arranger:
Jesse Stone
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 12) und Rock and Roll Hall of Fame – 500 Songs That Shaped Rock
recording of:
C. C. Rider (Chuck Willis version) (am 1957-01-31)
Texter und Komponist(in):
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
publisher:
Chuck Willis Music Co., Tideland Music Publishing Corporation und Unichappell Music, Inc.
Version von:
See See Rider Blues
Chuck Willis42:30
14Mr. Lee
recorded in:
New York (am 1957-02-28)
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer)
Gitarre:
Al Caiola (am 1957-02-28) und Allen Hanlon (jazz guitarist) (am 1957-02-28)
Klavier:
Ray Ellis (US producer, arranger and conductor) (am 1957-02-28)
Kontrabass [bass]:
Milt Hinton (am 1957-02-28)
Schlagzeug [drums]:
Joe Marshall (jazz drummer) (am 1957-02-28)
Tenorsaxophon:
Jesse Powell (US jazz saxophonist) (am 1957-02-28)
vocals:
The Bobbettes (am 1957-02-28)
conductor:
Reggie Obrecht (am 1957-02-28)
arranger:
Reggie Obrecht
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 36)
recording of:
Mr. Lee (am 1957-02-28)
Verfasser(in):
Reather Dixon, Emma Ruth Pought, Helen Gathers, Jannie Pought und Laura Webb
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
The Bobbettes42:16
15The Golden Striker
The Modern Jazz Quartet3:39
16Yakety Yak
Akustikgitarre:
Allen Hanlon (jazz guitarist) (am 1958-03-17)
E-Gitarre:
Adolph Jacobs (am 1958-03-17)
Gitarre:
George Barnes (am 1958-03-17)
Klavier:
Mike Stoller (am 1958-03-17)
Kontrabass [bass]:
Wendell Marshall (am 1958-03-17)
Schlagzeug:
Joe Marshall (jazz drummer) (am 1958-03-17)
Tenorsaxophon:
King Curtis (saxophonist) (am 1958-03-17)
vocals:
Carl Gardner (am 1958-03-17), Cornell Gunter (am 1958-03-17), Billy Guy (am 1958-03-17) und Will “Dub” Jones (US R&B/doo wop vocalist) (am 1958-03-17)
arranger:
Mike Stoller
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (am 1958-03-17)
recording of:
Yakety Yak (am 1958-03-17)
Texter:
Jerry Leiber
Verfasser(in):
Jerry Leiber und Mike Stoller
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Teil von:
Twins (1988)
The Coasters3.651:52
17Splish Splash
Produzent(in):
Herb Abramson und Ahmet Ertegun (US American Songwriter, producer)
recording of:
Splish Splash
Verfasser(in):
Bobby Darin und Jean Murray
publisher:
Alley Music Corp., EMI Unart Catalog Inc., Good Music Ltd. und Oirt Music Inc.
Bobby Darin32:13
18Charlie Brown
recording of:
Charlie Brown
Verfasser(in):
Jerry Leiber und Mike Stoller
publisher:
Sony/ATV Songs LLC
The Coasters2:32
19Wednesday Night Prayer Meeting
recording engineer:
Tom Dowd (am 1959-02-04)
Produzent(in):
Nesuhi Ertegun
alto saxophone:
John Handy (US jazz alto saxophonist, born 1933) (am 1959-02-04) und Jackie McLean (jazz saxophonist) (am 1959-02-04)
baritone saxophone:
Pepper Adams (baritone saxophonist) (am 1959-02-04)
Klavier:
Horace Parlan (American‐Danish jazz pianist) (am 1959-02-04)
Kontrabass:
Charles Mingus (am 1959-02-04)
Posaune:
Willie Dennis (am 1959-02-04) und Jimmy Knepper (trombonist) (am 1959-02-04)
Schlagzeug:
Dannie Richmond (drummer) (am 1959-02-04)
Tenorsaxophon:
Booker Ervin (tenor saxophonist) (am 1959-02-04)
aufgenommen bei:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (am 1959-02-04)
recording of:
Wednesday Night Prayer Meeting (am 1959-02-04)
Komponist(in):
Charles Mingus
Charles Mingus5:42
20There Goes My Baby
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Reggie Kimber (am 1959-03-06)
Baritongesang:
Dock Green (am 1959-03-06)
Bass-Gesang:
Elsbeary Hobbs (am 1959-03-06)
Sologesang:
Ben E. King (am 1959-03-06)
Tenor-Gesang:
Charlie Thomas (The Drifters) (am 1959-03-06)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1959-03-06)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1988) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1998)
aufgenommen bei:
Coastal Recording in New York (am 1959-03-06)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 2) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 193)
recording of:
There Goes My Baby (am 1959-03-06)
Texter und Komponist(in):
Benjamin Nelson, Lover Patterson und George Treadwell
publisher:
Jerome Leiber Music, Purple Starfish Music, Sherman Jot Enterprises Inc. und Sony/ATV Songs LLC
The Drifters4.52:10
21What’d I Say, Parts 1 & 2
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer) und Jerry Wexler
baritone saxophone [baritone sax]:
Bennie "Hank" Crawford (am 1959-02-18)
Bass:
Edgar Willis (bass) (am 1959-02-18)
Hybrid-Piano:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
Schlagzeug:
Milt Turner (am 1959-02-18)
Tenorsaxophon [tenor sax]:
David “Fathead” Newman (American jazz saxophonist) (am 1959-02-18)
Trompete:
Marcus Belgrave (am 1959-02-18)
Hintergrundgesang:
The Raelettes (am 1959-02-18)
vocals:
Ray Charles (soul musician, singer and songwriter) (am 1959-02-18)
arranger:
Ray Charles (soul musician, singer and songwriter)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 10) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 80)
recording of:
What’d I Say (am 1959-02-18)
Texter und Komponist(in):
Ray Charles (soul musician, singer and songwriter)
publisher:
Carlin Music Corporation, Mijac Music, MUAC Music, Progressive Music (publisher), Unichappell Music, Inc. und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Ray Charles3.56:29
22Mack the Knife
Produzent(in):
Ahmet Ertegun (US American Songwriter, producer), Nesuhi Ertegun und Jerry Wexler
vocals:
Bobby Darin
conductor:
Richard Wess
arranger:
Richard Wess
Teil von:
Grammy Award: Record of the Year nominees (Nummer: 1960 winner), Billboard: Greatest of All Time Hot 100 Songs (Nummer: 4), Dave Marsh: The Best of the Top 40 Singles: 1959 (Nummer: 40) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 251)
cover recording of:
Mack the Knife (1954 Blitzstein translation)
Texter:
Bertolt Brecht
Komponist(in):
Kurt Weill (composer)
Übersetzer:
Marc Blitzstein (American composer) (in 1954)
publisher:
Universal Edition (publisher; do NOT use as release label)
übersetzte Version von:
Die Dreigroschenoper: Vorspiel. Die Moritat von Mackie Messer
Bobby Darin43:06
23Giant Steps
recording engineer:
Tom Dowd (am 1959-05-05) und Phil Iehle (am 1959-05-05)
Produzent(in):
Nesuhi Ertegun
Klavier:
Tommy Flanagan (am 1959-05-05)
Kontrabass:
Paul Chambers (US jazz bassist) (am 1959-05-05)
Schlagzeug:
Art Taylor (am 1959-05-05)
Tenorsaxophon:
John Coltrane (am 1959-05-05)
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US)
aufgenommen bei:
Atlantic Recording Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan (am 1959-05-05)
recording of:
Giant Steps (am 1959-05-05)
Komponist(in):
John Coltrane
publisher:
Jowcol Music
Teil von:
The Real Book (compilation of jazz standards, Volume I)
John Coltrane3.354:45
24Lonely Woman
recorded in:
Los Angeles (am 1959-05-22)
Produzent(in):
Nesuhi Ertegun
alto saxophone:
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer) (am 1959-05-22)
Kontrabass:
Charlie Haden (American jazz bassist) (am 1959-05-22)
Kornett:
Don Cherry (jazz trumpeter) (am 1959-05-22)
Schlagzeug [drums]:
Billy Higgins (US jazz drummer) (am 1959-05-22)
recording of:
Lonely Woman (instrumental) (am 1959-05-22)
Komponist(in):
Ornette Coleman (US jazz saxophonist, trumpeter, violinist, and composer)
publisher:
MJQ Music
Ornette Coleman4:57
2▶CD: 1960-1967
3▶CD: 1967-1970
4▶CD: 1970-1973
5▶CD: 1974-1978
6▶CD: 1978-1983
7▶CD: 1983-1990
8▶CD: 1990-2001
9▶CD: 2001-2009

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