Oper für Dummies

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Annotation

Copyright: 2011 EMI Music Germany GmbH & Co. KG This label copy information is the subject of copyright protection. All rights reserved. © EMI Music Germany GmbH & Co. KG
℗ 2011 EMI Music France

Annotation last modified on 2024-08-08 11:08 UTC.

Tracklist

1▶Digital Media
2▼Digital Media
#TitleArtistRatingLength
1La traviata, Act 1 Scene 2: No. 2b, Brindisi, "Libiamo ne' lieti calici" (Alfredo, Violetta, Flora, Marchese, Barone, Dottore, Gastone, Chorus)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1980-07-05 until 1980-07-15)
soprano vocals [Violetta]:
Renata Scotto (operatic soprano) (from 1980-07-05 until 1980-07-15)
tenor vocals [Alfredo]:
Alfredo Kraus (tenor) (from 1980-07-05 until 1980-07-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-05 until 1980-07-15)
conductor:
Riccardo Muti (conductor) (from 1980-07-05 until 1980-07-15)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1980-07-05 until 1980-07-15)
recorded at:
Kingsway Hall in London (Greater London) (from 1980-07-05 until 1980-07-15)
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta) (from 1980-07-05 until 1980-07-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto I (La traviata: Act I)
Giuseppe Verdi2:52
2La traviata, Act 2 Scene 10: "Noi siamo zingarelle" (Zingare, Flora, Marchese, Dottore)
bass vocals [Marchese d'Obigny]:
Richard van Allan (operatic bass-baritone) (from 1980-07-05 until 1980-07-15)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1980-07-05 until 1980-07-15)
mezzo-soprano vocals [Flora]:
Sarah Walker (British mezzosoprano) (from 1980-07-05 until 1980-07-15)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1980-07-05 until 1980-07-15)
conductor:
Riccardo Muti (conductor) (from 1980-07-05 until 1980-07-15)
recorded at:
Kingsway Hall in London (Greater London) (from 1980-07-05 until 1980-07-15)
recording of:
La traviata: Atto II, scena 2. “Noi siamo zingarelle” (Zingare, Flora, Marchese, Coro) (from 1980-07-05 until 1980-07-15)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi2:54
3Il trovatore, Act 2 Scene 1: No. 4, Coro, "Vedi! Le fosche notturne spoglie" (Zingari)
choir vocals:
Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Herbert von Karajan (conductor)
recording of:
Il trovatore: Atto II, scena 1. “Vedi! Le fosche notturne” (zingari) (“Anvil Chorus”)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi3:02
4Rigoletto: "Gualtier Maldè"
baritone vocals:
Sherrill Milnes (baritone)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Julius Rudel (conductor)
recording of:
Rigoletto: Atto I, scena 2. N°6 Aria & scena “Gualtier Maldè! … Caro nome” (Gilda, Borsa, Ceprano, Marullo)
lyricist and librettist:
Francesco Maria Piave
composer:
Giuseppe Verdi (Italian opera composer)
part of:
Rigoletto: Atto I
Giuseppe Verdi6:45
5Rigoletto: "La donna è mobile"
tenor vocals [Duca]:
Alfredo Kraus (tenor)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976)
conductor:
Julius Rudel (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1979)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi2:19
6Nabucco, Act 3: "Va, pensiero, sull'ali dorate" (Chorus)
producer:
John Mordler (producer)
choir vocals:
Ambrosian Opera Chorus (aka Ambrosian Opera Chorus / Ambrosian Chorus / Ambrosian Choir) (from 1977-07-10 until 1978-02-08)
conductor:
Riccardo Muti (conductor) (from 1977-07-10 until 1978-02-08)
chorus master:
John McCarthy (British choral conductor, scholar, composer and arranger) (from 1977-07-10 until 1978-02-08)
balance engineer:
Stuart Eltham (engineer) (from 1977-07-10 until 1978-02-08)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recorded at:
Kingsway Hall in London (Greater London) (from 1977-07-10 until 1978-02-08)
recording of:
Nabucco: Parte III, scena 2. Coro “Va, pensiero, sull’ali dorate” (Coro) (Chorus of the Hebrew Slaves) (from 1977-07-10 until 1978-02-08)
composer:
Giuseppe Verdi (Italian opera composer) (in 1841)
librettist:
Temistocle Solera
part of:
Nabucco: Parte III. La profezia
Giuseppe Verdi5:12
7Otello, Act 4 Scene 2: "Ave Maria, piena di grazia" (Desdemona)
soprano vocals [Desdemona]:
Maria Callas (soprano)
orchestra:
Orchestre de la Société des Concerts du Conservatoire
conductor:
Nicola Rescigno (conductor)
recording of:
Otello: Atto IV. “Ave Maria” (Desdemona)
composer:
Giuseppe Verdi (Italian opera composer) (from 1884 until 1886-11-01, in 1887)
librettist:
Arrigo Boito (librettist, composer)
part of:
Otello: Atto IV
Giuseppe Verdi4:36
8Don Carlo (1886 Modena Five-Act Version), Act 4 Scene 1: Scena, "Ella giammai m'amò" (Filippo)
bass vocals [Filippo]:
Ruggero Raimondi (bass-baritone) (from 1970-08-18 until 1970-08-31)
orchestra:
Orchestra of the Royal Opera House, Covent Garden (from 1970-08-18 until 1970-08-31)
conductor:
Carlo Maria Giulini (conductor) (from 1970-08-18 until 1970-08-31)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
recorded at:
Walthamstow Assembly Hall in London (Greater London) (from 1970-08-18 until 1970-08-31)
partial recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo) (from 1970-08-18 until 1970-08-31)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
recording of:
Don Carlo: Atto III, scena 1. N°10 “Ella giammai m’amò” … “Dormiro sol” (Filippo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Camille du Locle and Joseph Méry
part of:
Don Carlo: Atto III (IV)
Giuseppe Verdi7:32
9Aïda, Act 2 Scene 2: Triumphal March
recording of:
Aida: Atto II, scena 2. Marcia trionfale (orchestra) (Triumphal march, Triumphmarsch)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
Aida: Akt II
part of:
Aida: Atto II
Giuseppe Verdi1:31
10Gianni Schicchi: "O mio babbino caro" (Lauretta)
producer:
Christopher Bishop (conductor/producer)
soprano vocals [Lauretta]:
Montserrat Caballé (soprano) (from 1970-03-31 until 1970-04-10)
orchestra:
London Symphony Orchestra (from 1970-03-31 until 1970-04-10)
conductor:
Charles Mackerras (Australian conductor) (from 1970-03-31 until 1970-04-10)
balance engineer:
Neville Boyling (engineer) (from 1970-03-31 until 1970-04-10)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1970)
recorded at:
Kingsway Hall in London (Greater London) (from 1970-03-31 until 1970-04-10)
recording of:
Gianni Schicchi: “O mio babbino caro” (Lauretta) (from 1970-03-31 until 1970-04-10)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giovacchino Forzano
publisher:
Casa Ricordi BMG S.p.A. and G. Ricordi & Co. (London) Ltd. (UK division)
part of:
Gianni Schicchi
Giacomo Puccini2:41
11Manon Lescaut, Act 1: "Donna non vidi mai simile a questa!" (Des Grieux)
engineer:
Christopher Parker (classical recording and balance engineer, active from 1950s)
producer:
Ronald Kinloch Anderson (pianist, harpsichordist and producer)
tenor vocals:
Plácido Domingo (tenor) (in 1972)
orchestra:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1972)
conductor:
Bruno Bartoletti (conductor) (in 1972)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972)
recording of:
Manon Lescaut: Atto I. “Donna non vidi mai simile a questa!” (Des Grieux) (in 1972)
composer:
Giacomo Puccini (Italian composer) (in 1893)
librettist:
Giuseppe Giacosa, Luigi Illica, Domenico Oliva, Marco Praga and Giulio Ricordi
part of:
Manon Lescaut: Atto I
Giacomo Puccini2:28
12La Bohème, Act 1: "Che gelida manina" (Rodolfo)
tenor vocals [Rodolfo]:
Nicolai Gedda (tenor)
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Thomas Schippers (conductor and composer)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:26
13La Bohème, Act 1: "Sì. Mi chiamano Mimi" (Mimi, Rodolfo)
recorded in:
Roma (Rome) (on 1969-07-17)
soprano vocals [Mimì]:
Mirella Freni (soprano) (on 1969-07-17)
orchestra:
Orchestra del Teatro dell’Opera di Roma (on 1969-07-17)
conductor:
Thomas Schippers (conductor and composer) (on 1969-07-17)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (in 1964)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
live recording of:
La bohème: Atto I, no. 7. “Sì. Mi chiamano Mimì” (Mimì) (on 1969-07-17)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:56
14La Bohème, Act 1: "O soave fanciulla, o dolce viso" (Rodolfo, Marcello, Mimi)
baritone vocals [Marcello]:
Mario Sereni (baritone)
soprano vocals and soprano vocals [Mimì]:
Mirella Freni (soprano)
tenor vocals and tenor vocals [Rodolfo]:
Nicolai Gedda (tenor)
vocals:
Mirella Freni (soprano) (in 1964), Nicolai Gedda (tenor) (in 1964) and Mario Sereni (baritone) (in 1964)
orchestra:
Orchestra del Teatro dell’Opera di Roma (in 1964)
conductor:
Thomas Schippers (conductor and composer) (in 1964)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1964)
recording of:
La bohème: Atto I, no. 9. “O soave fanciulla” (Rodolfo, Marcello, Mimì) (in 1964)
composer:
Giacomo Puccini (Italian composer) (in 1896)
librettist:
Luigi Illica and Giuseppe Giacosa (in 1896)
part of:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Giacomo Puccini4:01
15Tosca, Act 2 Scene 5: "Vissi d'arte, vissi d'amore" (Tosca, Scarpia, Spoletta)
soprano vocals [Floria Tosca]:
Maria Callas (soprano) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
conductor:
Georges Prêtre (French conductor) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
recorded at:
Salle Wagram in Paris (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1964-12-03 until 1964-12-04)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (from 1964-12-07 until 1964-12-12)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1964-12-14)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca) (on 1965-01-19)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Tosca: Atto II (Tosca: Act II)
Giacomo Puccini33:05
16Tosca, Act 3 Scene 2: "E lucevan le stelle" (Cavaradossi)
tenor vocals [Mario Cavaradossi]:
Carlo Bergonzi (tenor) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
vocals:
Carlo Bergonzi (tenor)
orchestra:
Orchestre de la Société des Concerts du Conservatoire (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
conductor:
Georges Prêtre (French conductor) (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
recorded at:
Salle Wagram in Paris (from 1964-12-03 until 1964-12-04, from 1964-12-07 until 1964-12-12, on 1964-12-14, on 1965-01-19)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-03 until 1964-12-04)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (from 1964-12-07 until 1964-12-12)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1964-12-14)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi) (on 1965-01-19)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini3:02
17Madama Butterfly, Act 2 Scene 1: "Un bel di vedremo" (Butterfly)
soprano vocals [Butterfly]:
Victoria de los Ángeles (Spanish soprano) (from 1959-09-23 until 1959-10-03)
orchestra:
Orchestra del Teatro dell’Opera di Roma (from 1959-09-23 until 1959-10-03)
conductor:
Gabriele Santini (conductor) (from 1959-09-23 until 1959-10-03)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1960)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1959, from 1959-09-23 until 1959-10-03)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly) (in 1959)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini4:40
18Madama Butterfly, Act 2, Scene 1: Humming Chorus
choir vocals:
Coro del Teatro dell’Opera di Roma
orchestra:
Orchestra del Teatro dell’Opera di Roma
conductor:
Gabriele Santini (conductor)
recorded at:
Teatro dell’Opera di Roma in Roma (Rome) (in 1959)
recording of:
Madama Butterfly: Atto II. Coro a bocca chiusa (Humming Chorus)
composer:
Giacomo Puccini (Italian composer)
librettist:
Giuseppe Giacosa and Luigi Illica
part of:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Giacomo Puccini3:08
19Turandot, Act 3: "Nessun dorma!" (Calaf, Chorus)
choir vocals:
Chœur de l'Opéra national du Rhin (Rhine Opera Chorus)
tenor vocals [Calaf]:
José Carreras (Spanish tenor)
orchestra:
Orchestre philharmonique de Strasbourg (Strasbourg Philharmonic Orchestra)
conductor:
Alain Lombard (conductor)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1978)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf)
composer:
Giacomo Puccini (Italian composer) (from 1921-03 until 1924-03)
librettist:
Giuseppe Adami and Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. and Ed. G. Ricordi & Cia. SpA (Italian publisher)
part of:
Turandot: Atto III (Turandot: Act III)
Giacomo Puccini4:11
20Cavalleria rusticana: Intermezzo sinfonico (Andante sostenuto)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
Cavalleria rusticana: Intermezzo (in 1979)
composer:
Pietro Mascagni (composer & conductor) (in 1888)
publisher:
Ascherberg Hopwood & Crew
part of:
Cavalleria rusticana
part of:
Cavalleria rusticana (German lyrics)
Pietro Mascagni3:41
21Pagliacci, Act 1 Scene 4: "Recitar! Mentre preso dal delirio … Vesti la giubba" (Canio)
tenor vocals [Canio]:
José Carreras (Spanish tenor) (in 1979)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1979)
conductor:
Riccardo Muti (conductor) (in 1979)
partial recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio) (in 1979)
composer and librettist:
Ruggero Leoncavallo (composer) (in 1892)
part of:
For the First Time (1959 film)
part of:
Pagliacci: Atto I (Pagliacci: Act I)
Ruggero Leoncavallo3:02
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