111 Years of Deutsche Grammophon

~ Release by Various Artists (see all versions of this release, 4 available)

Tracklist

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#TitleArtistRatingLength
1L'elisir d'amore: "Una furtiva lagrima"
co-producer:
Claudia Hamann
producer:
Cord Garben (pianist and conductor)
editor:
Jürgen Bulgrin (sound engineer) (in 1989-09)
tenor vocals [Nemorino]:
Luciano Pavarotti (tenor) (in 1989-09)
orchestra:
Metropolitan Opera Orchestra (in 1989-09)
conductor:
James Levine (US conductor and pianist) (in 1989-09)
balance engineer:
Wolfgang Mitlehner
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1990)
recorded at:
Manhattan Center in Midtown Manhattan (in 1989-09)
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
composer:
Gaetano Donizetti (Italian opera composer) (in 1832)
librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
part of:
L’elisir d’amore: Atto II
Gaetano Donizetti4:19
2Nocturne No. 5 in F-sharp major, Op. 15 No. 2
producer:
Helmut Burk
piano:
Maria João Pires (pianist) (in 1995-01)
balance engineer:
Helmut Burk (in 1995-01)
recorded at:
Hochschule für Musik und Theater München in München (Munich) (in 1995-01)
recording of:
Nocturne no. 5 in F‐sharp major, op. 15 no. 2: Larghetto (in 1995-01)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1830 until 1832)
part of:
Nocturnes, op. 15
Frédéric Chopin3:28
3Sonata for Violin & Keyboard No. 28 in E minor, K. 300c/304: II. Tempo di minuetto
executive producer:
Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-02)
violin:
Itzhak Perlman (violinist and conductor) (in 1983-02)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1983-02)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1984)
recorded at:
Maison de la Mutualité in Paris (in 1983-02)
recording of:
Violin Sonata in E minor, K. 300c/304: II. Tempo di minuetto (in 1983-02)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1778)
part of:
Violin Sonata in E minor, K. 300c/304
Wolfgang Amadeus Mozart4:50
4Le nozze di Figaro, K. 492: Act IV, Scene X. No. 28 Aria "Deh vieni non tardar" (Susanna)
soprano vocals:
Patricia Petibon (soprano) (in 2008-01)
orchestra:
Concerto Köln (in 2008-01)
conductor:
Daniel Harding (conductor) (in 2008-01)
performer:
Patricia Petibon (soprano)
recorded at:
Paterskirche in Kempen (in 2008-01)
recording of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (in 2008-01)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
arrangement of:
Le nozze di Figaro, K. 492: Atto IV, Scena X. (no. 28) Aria “Deh vieni non tardar” (Susanna) (catch-all for arrangements)
part of:
Le nozze di Figaro, K. 492: Atto IV (The Marriage of Figaro, K. 492: Act IV)
Wolfgang Amadeus Mozart3:02
5Gnomenreigen, S. 145 No. 2
piano:
Михаил Плетнёв (Mikhail Pletnev, pianist & conductor) (in 1997-12)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover) (in 1997-12)
Franz Liszt3:06
6Concerto No. 1 in E major, RV 269 "Spring": I. Allegro
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch (engineer) (in 1981-10)
editor:
Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
violin:
Simon Standage (English violinist and conductor) (from 1981-10-20 until 1981-10-23)
orchestra:
The English Concert (from 1981-10-20 until 1981-10-23)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1981-10-20 until 1981-10-23)
balance engineer:
Hans‐Peter Schweigmann (engineer) (in 1981-10)
recorded at:
Henry Wood Hall (London) in London (Greater London) (from 1981-10-20 until 1981-10-23)
recording of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera”: I. Allegro (“The Four Seasons”: Concerto in E Major, op. 8 no. 1, RV. 269, “Spring”: 1. Allegro) (from 1981-10-20 until 1981-10-23)
composer:
Antonio Vivaldi (Italian baroque composer and violinist) (in 1723)
part of:
Concerto in E major, op. 8 no. 1, RV 269 “La primavera” (Concerto in E major, op. 8 no. 1, RV 269 “Spring”)
Antonio Vivaldi3:22
7Polonaise No. 6 in A-flat major, Op. 53 "Heroic"
engineer:
Klaus Hiemann (engineer/producer)
executive producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Maurizio Pollini (pianist) (in 1975-11)
recorded at:
Wiener Musikverein in Innere Stadt (in 1975-11) and Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (in 1975-11)
recording of:
Polonaise in A‐flat major, op. 53 “Heroique” (in 1975-11)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (in 1842)
dedicated to:
Auguste Léo
part of:
List of numbered polonaises by Fryderyk Chopin (in composition date order) (number: 6), Classic 100: Piano (2004) (number: 16) and Works of Fryderyk Chopin by opus number (number: op. 53)
Frédéric Chopin7:09
8Capriccio, Op. 58: Mondscheinmusik
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1992-10)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt (in 1992-10)
recording of:
Capriccio, op. 85: Letzte Szene. Mondscheinmusik (Orchester‐Zwischenspiel) (in 1992-10)
composer:
Richard Strauss (German composer)
part of:
Capriccio, op. 85: Letzte Szene (Capriccio, op. 85: Closing Scene)
Richard Strauss3:45
9Il barbiere di Siviglia: Act I, Scene I. Cavatina "Largo al factotum" (Figaro)
baritone vocals [Figaro]:
Hermann Prey (baritone) (in 1971-09)
orchestra:
London Symphony Orchestra (in 1971-09)
conductor:
Claudio Abbado (conductor) (in 1971-09)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1972)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford (in 1971-09)
recording of:
Il barbiere di Siviglia: Atto I, N°2. Cavatina “Largo al factotum” (Figaro) (Arie des Figaro) (in 1971-09)
composer:
Gioachino Rossini (composer)
librettist:
Cesare Sterbini
part of:
Il barbiere di Siviglia: Atto I
Gioachino Rossini4:41
10Organ Symphony No. 5 in F minor, Op. 42 No. 1: V. Toccata
miscellaneous support:
Dr. Gerd Ploebsch (engineer) (task: recording supervision)
engineer:
Hans‐Peter Schweigmann (engineer) (in 1983-09)
organ:
Simon Preston (organist, conductor, composer) (in 1983-09)
phonographic copyright (℗) by:
Polydor International GmbH, Hamburg (not for release label use!) (in 1984)
recorded at:
Westminster Abbey in London (Greater London) (in 1983-09)
recording of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1: V. Toccata (in 1983-09)
composer:
Charles‐Marie Widor (French organist, composer and teacher) (in 1879)
part of:
Symphonie pour orgue n° 5 en fa mineur, op. 42 n° 1
Charles‐Marie Widor5:31
11Tannhäuser: Act III, Scene II. "Wie Todesahnung ... O du, mein holder Abendstern"
producer:
Christopher Alder (editor/engineer/producer) and Arend Prohmann (producer / editor)
bass-baritone vocals:
Thomas Quasthoff (bass-baritone) (in 2001-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2001-09)
conductor:
Christian Thielemann (German conductor) (in 2001-09)
balance engineer:
Ulrich Vette (engineer) (in 2001-09)
recorded at:
Berliner Philharmonie: Grosser Saal in Mitte (in 2001-09)
recording of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III, Scene II. „Wie Todesahnung, Dämm'rung deckt die Lande … O du mein holder Abendstern” (in 2001-09)
composer:
Richard Wagner (composer) (from 1843 until 1845-04-13)
librettist:
Richard Wagner (composer) (from 1842-06 until 1843-04)
part of:
Tannhäuser und der Sängerkrieg auf Wartburg, WWV 70: Aufzug III
Richard Wagner5:32
12Hohe Messe in H-Moll, BWV 232: IVf. Coro "Dona nobis pacem"
recording engineer:
Walter Alfred Wettler
producer:
Karl-Heinz Schneider (producer)
bassoon:
Fritz Henker (bassoonist) (in 1961-02, in 1961-04) and Karl Kolbinger (bassoonist) (in 1961-02, in 1961-04)
cello:
Oswald Uhl (cellist) (in 1961-02, in 1961-04)
double bass:
Franz Ortner (double bass player) (in 1961-02, in 1961-04)
flute:
Walther Theurer (in 1961-02, in 1961-04)
horn [corno da caccia]:
Kurt Richter (German horn player) (in 1961-02, in 1961-04)
oboe d'amore:
Kurt Hausmann (oboist) (in 1961-02, in 1961-04) and Edgar Shann (oboist) (in 1961-02, in 1961-04)
organ:
Hedwig Bilgram (harpsichordist and organist) (in 1961-02, in 1961-04)
trumpet:
Adolf Scherbaum (trumpeter) (in 1961-02, in 1961-04)
violin:
Otto Büchner (violinist) (in 1961-02, in 1961-04)
choir vocals:
Münchener Bach‐Chor (Munich Bach Choir) (in 1961-02, in 1961-04)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1961-02, in 1961-04)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1961-02, in 1961-04)
recorded at:
Hochschule für Musik und Theater München in München (Munich) (in 1961-02, in 1961-04)
recording of:
h-Moll-Messe, BWV 232: IV. Osanna, Benedictus, Agnus Dei, Dona nobis pacem: V. Dona nobis pacem (Mass in B minor, BWV 232: IVf. Choir "Dona nobis pacem") (in 1961-02)
composed in:
Leipzig (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Dona nobis pacem
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:29
13Prelude in G-sharp minor, Op. 32 No. 12
recorded in:
Florence (in 1962-11)
piano:
Sviatoslav Richter (pianist) (on 1962-11-03)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Galleria Nazionale dell'Umbria (art museum) in Perugia (on 1962-11-03)
live recording of:
13 Preludes, op. 32: No. 12 in G-sharp minor. Allegro (on 1962-11-03)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1910)
part of:
13 Preludes, op. 32
Сергей Васильевич Рахманинов2:15
14Karelia Suite, Op. 11 No. 1: I. Intermezzo
engineer:
Günter Hermanns (producer/engineer) (from 1957-03-13 until 1957-03-14)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-03-13 until 1957-03-14)
conductor:
Hans Rosbaud (conductor) (from 1957-03-13 until 1957-03-14)
balance engineer:
Alfred Steinke (from 1957-03-13 until 1957-03-14)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1958)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin (from 1957-03-13 until 1957-03-14)
recording of:
Karelia-sarja, op. 11: I. Intermezzo (Karelia Suite, op. 11: I. Intermezzo, for orchestra) (from 1957-03-13 until 1957-03-14)
composer:
Jean Sibelius (Finnish composer) (in 1893)
part of:
Karelia-sarja, op. 11 (Karelia Suite, op. 11)
Jean Sibelius3:22
15Chant du ménestrel, Op. 71
producer:
Thomas Mowrey
cello:
Mstislav Rostropovich (cellist/conductor) (in 1975-08)
orchestra:
Boston Symphony Orchestra (in 1975-08)
conductor:
Seiji Ozawa (conductor and composer) (in 1975-08)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Symphony Hall (Boston) in Boston (in 1975-08)
recording of:
Chant du ménestrel, op. 71 (Minstrel's Song, for cello and orchestra) (in 1975-08)
composer:
Александр Константинович Глазунов (Alexander Glazunov, Russian composer, 1865–1936) (in 1900)
dedicated to:
Александр Валерианович Вержбилович
publisher:
Musikverlag M. P. Belaieff (in 1901)
part of:
Works of Alexander Glazunov by opus number (number: op. 71)
Александр Константинович Глазунов4:14
16Frühlingsfahrt, Op. 45 No. 2
piano:
Sebastian Peschko (pianist) (in 1938-05)
baritone vocals:
Heinrich Schlusnus (baritone) (in 1938-05)
Robert Schumann3:16
17Sonata for Violin and Piano No. 5 in F major, Op. 24 "Spring": III. Scherzo. Allegro molto
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Hans Weber (producer/engineer)
editor:
Rolf Peter Schröder
piano:
Carl Seemann (German pianist) (in 1959-05)
violin:
Wolfgang Schneiderhan (violinist) (in 1959-05)
balance engineer:
Gerhard Henjes (sound engineer and producer)
phonographic copyright (℗) by:
Deutsche Grammophon (in 1961)
recorded at:
Brahms-Saal (Musikverein Wien) in Innere Stadt (in 1959-05)
recording of:
Sonata for Violin and Piano no. 5 in F major, op. 24 "Spring": III. Scherzo. Allegro molto (in 1959-05)
composer:
Ludwig van Beethoven (German composer) (from 1800 until 1801)
part of:
Sonata for Violin and Piano no. 5 in F major, op. 24 “Spring”
Ludwig van Beethoven1:27
18Lachen und Weinen, D 777
recorded in:
Bielefeld (in 1953)
piano:
Erik Werba (pianist) (in 1953)
soprano vocals:
Irmgard Seefried (soprano) (in 1953)
live recording of:
Lachen und Weinen, D. 777 (in 1953)
lyricist:
Friedrich Rückert (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 777)
Franz Schubert1:44
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