Stranger Things: Music From the Netflix Original Series

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Intro: Will Singing The Clash
teilweise cover recording of:
Should I Stay or Should I Go
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
[dialogue]0:27
2Every Breath You Take
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und The Police (British rock band)
E-Bass und Sologesang:
Sting (singer, songwriter & member of The Police) (in 1983)
E-Gitarre:
Andy Summers (in 1983)
Schlagzeug:
Stewart Copeland (in 1983)
phonographisches Urheberrecht (℗) von:
A&M Records, Ltd. (in 1981, in 2003), A&M Records (in 1983, in 2016), A&M Records Limited (in 1983), Polydor Records (record company, please see the “A (x) release” / “A (x) recording” for the release label) (in 1983) und A&M Records, Inc. (in 1997)
aufgenommen bei:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead (in 1983) und Le Studio in Morin‐Heights (in 1983)
Musikvideos:
Every Breath You Take von The Police (British rock band)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 35), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 46), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 84), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 287) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 305)
recording of:
Every Breath You Take (in 1983)
Texter und Komponist(in):
Sting (singer, songwriter & member of The Police)
publisher:
EMI Blackwood Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), GM Sumner, Magnetic Publishing Ltd., Songs of Universal, Inc. (BMI) und Virgin Music (Publishers) Ltd.
sub-publisher:
Universal Music Publishing France (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), EMI Music Publishing Japan Ltd., Sony Division (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
The Police4.14:12
3Should I Stay or Should I Go
Techniker(in):
Bob Clearmountain
Produzent(in):
Guy Stevens
Mix:
Glyn Johns
Bassgitarre:
Paul Simonon
Gitarre:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
Schlagzeug:
Topper Headon
Gast vocals:
Joe Ely
vocals:
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
remixer:
Mick Jones (The Clash/Big Audio Dynamite)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 42), Indie 88: Top 500 Indie Rock Songs (Nummer: 183) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 228)
recording of:
Should I Stay or Should I Go
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
The Clash4.553:06
4‘Coffee and Contemplation’
[dialogue]0:09
5Hazy Shade of Winter
Produzent(in):
Rick Rubin (US record producer, former co‐president of Columbia Records)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1987), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1987), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1987) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1987)
Musikvideos:
Hazy Shade of Winter von The Bangles
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 3)
cover recording of:
A Hazy Shade of Winter
Texter und Komponist(in):
Paul Simon (of Simon & Garfunkel)
publisher:
Paul Simon Music und Universal/MCA Music Ltd. (not for release label use!)
The Bangles4.62:45
6Nocturnal Me
assistierende(r) Techniker(in):
Jean-Yves Pouilloux
Techniker(in):
Henri Loustau (French sound engineer, sometimes misspelled Lousteau or Lonstan) und Gil Norton (British record producer)
Mix:
Echo & the Bunnymen und Gil Norton (British record producer)
recording of:
Nocturnal Me
Verfasser(in):
Pete de Freitas, Ian McCulloch (Echo & the Bunnymen), Les Pattinson und Will Sergeant
publisher:
Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Echo & the Bunnymen44:55
7‘Bring Him Home!’
[dialogue]0:07
8Sunglasses at Night
alto saxophone und Tenorsaxophon:
Andy Hamilton (British saxophonist, composer and producer)
Bass:
Gary Tibbs
Gitarre [lead guitar]:
Andy Barnett
Gitarre [rhythm guitar]:
Andy Mac und Jon Astley
Keyboard:
Phil Chapman (engineer), Ritchie Close (keyboardist, composer) und Corey Hart
Perkussion und Schlagzeug:
Paul Burgess (UK rock drummer)
Musikvideos:
Sunglasses at Night von Corey Hart
recording of:
Sunglasses at Night (in 1983)
Texter und Komponist(in):
Corey Hart
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Edition Meridian
Corey Hart3:54
9Girls on Film
Techniker(in) und Produzent(in):
Colin Thurston
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1998)
recording of:
Girls on Film
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Publishing Scandinavia AB und Gloucester Place Music Ltd.
Version von:
Girls on Film (Pre-Le Bon version)
Duran Duran3.73:29
10‘Just Because People Tell You…’
[dialogue]0:04
11Atmosphere
Produzent(in):
Joy Division und Martin Hannett
phonographisches Urheberrecht (℗) von:
Factory Communications Ltd. (holding company – file no releases here!) (in 1988)
aufgenommen bei:
Cargo Studios in Rochdale
Musikvideos:
Atmosphere von Joy Division
recording of:
Atmosphere
Texter:
Ian Curtis
Komponist(in):
Ian Curtis, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
Joy Division4.254:08
12‘Maybe I’m Crazy…’
[dialogue]0:11
13Twist of Fate
Produzent(in):
David Foster (Canadian music producer, arranger and composer)
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1983)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 7) (Nummer: 2)
recording of:
Twist of Fate
Verfasser(in):
Peter Beckett (lead singer of Player) und Steve Kipner
publisher:
Big Stick Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), Stephen A. Kipner Music, Universal Music Careers, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Olivia Newton‐John33:37
14‘Says Logic’
[dialogue]0:07
15The Ghost in You
Techniker(in):
Steve Hodge (engineer and producer)
zusätzliche(r) Techniker(in):
Dave Wittman
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Mix:
Dave Wittman
Bass:
Tim Butler (co‐founder of The Psychedelic Furs)
Gitarre:
John Ashton
Saxophon:
Mars Williams (US jazz and rock saxophonist)
Schlagzeug und Perkussion:
Keith Forsey (drummer, producer and songwriter)
vocals:
Richard Butler (singer)
remixer:
Dave Wittman
arranger:
The Psychedelic Furs
recording of:
The Ghost in You
Verfasser(in):
Richard Butler (singer) und Tim Butler (co‐founder of The Psychedelic Furs)
publisher:
EMI Blackwood Music Inc.
The Psychedelic Furs54:16
16Africa
recording engineer:
Al Schmitt
Produzent(in):
Toto (US rock group)
Mix:
Greg Ladanyi
Akustikgitarre:
Timothy B. Schmit
Bassgitarre:
David Hungate
Conga:
Lenny Castro
E-Gitarre und Gitarre:
Steve Lukather
gong und Schlagzeug:
Jeff Porcaro
Keyboard und Klavier:
David Paich
Marimba:
Joe Porcaro
Perkussion:
Lenny Castro und Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Bobby Kimball, Steve Lukather, David Paich und Timothy B. Schmit
Sologesang:
Bobby Kimball und David Paich
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
Musikvideos:
Africa von Toto (US rock group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 105) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 452)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Hudmar Publishing Co. Inc., Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Spirit Two Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto4.154:56
17You Don’t Mess Around With Jim
Produzent(in):
Terry Cashman und Tommy West
vocals:
Jim Croce (am 1971-10-11)
phonographisches Urheberrecht (℗) von:
R2M Music (BMI) (in 1972)
aufgenommen bei:
The Hit Factory in Manhattan (am 1971-10-11)
recording of:
You Don’t Mess Around With Jim (am 1971-10-11)
Texter und Komponist(in):
Jim Croce
publisher:
DenJac Music Company und MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated)
Jim Croce4.82:59
18‘Accident or Not’
[dialogue]0:13
19Whip It
Partner-Produzent(in):
Robert Margouleff
Produzent(in):
DEVO (new wave/rock band)
phonographisches Urheberrecht (℗) von:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US)
aufgenommen bei:
The Record Plant (Sausalito, 1972-1981) in Sausalito
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 15), Paste: The 50 Greatest NON One-Hit Wonders of All Time (Nummer: 42), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 63) und Indie 88: Top 500 Indie Rock Songs (Nummer: 463)
recording of:
Whip It (Devo song)
Verfasser(in):
Gerald Casale und Mark Mothersbaugh
publisher:
DEVO Music, EMI Virgin Music Australia Pty Ltd und Nymph Music
Devo4.52:39
20Runaway
assistierende(r) Techniker(in):
John Babich, Barry Bongiovi, Gary Rindfuss, Dave Greenberg (US engineer Sonopod/Boomtown) und Bruce Lampcov
Techniker(in):
Larry Alexander (producer/engineer), Jeff Hendrickson (sound engineer) und Scott Litt (producer and engineer)
Produzent(in):
Tony Bongiovi und Lance Quinn
Bassgitarre [bass]:
Huey McDonald (bassist) (in 1982-06)
Gitarre [guitars]:
Tim Pierce (US session guitarist) (in 1982-06)
Keyboard [keyboards]:
Roy Bittan (in 1982-06)
Schlagzeug [drums]:
Frankie LaRocka (in 1982-06)
Hintergrundgesang [backing vocals]:
David Grahame (in 1982-06), J.B. (in 1982-06) und Mick Seeley (in 1982-06)
Sologesang:
J.B. (in 1982-06)
zusätzliche(r) Interpret(in):
Chuck Burgi, Doug Katsaros und Aldo Nova (Canadian rock musician)
phonographisches Urheberrecht (℗) von:
Mercury Records (or just “Mercury”; a UMG imprint, do not use it for ©/℗ credits) (in 1984) und PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1984)
aufgenommen bei:
The Power Station (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen (in 1982-06)
recording of:
Runaway (in 1982-06)
Verfasser(in):
Jon Bon Jovi und George Karak
publisher:
Downtown DLJ Songs, Minder Music Ltd., Sony/ATV Harmony, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (vom 1982 bis ????), George Karaoglou Publishing Inc. (vom 1982 bis heute), Jamb Co. (in 1982), Simile Music Ltd. (in 1982), WB Music Corp. (1929–2019) (von 1982 bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Bon Jovi4.453:51
21Time After Time
assistierende(r) Techniker(in):
John Agnello (engineer & producer)
Techniker(in):
William Wittman
zusätzliche(r) Techniker(in):
John Jansen (US recording engineer and producer) und Rod O’Brien
Partner-Produzent(in):
William Wittman
Produzent(in):
Rick Chertoff
Sologesang:
Cyndi Lauper
phonographisches Urheberrecht (℗) von:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (in 1983), Sony BMG Music Entertainment Inc. (in 1983), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1983), Sony Music Entertainment (Holland) B.V. (Sony Music Entertainment's NL subsidiary until 2004) (in 1983) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1983, in 1984)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan
a cappella versions:
Time After Time von Forte A Cappella (Centerville High School)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 19), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 116) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 494)
recording of:
Time After Time
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (publisher as Warner/Chappell Music), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper4.253:57
22Talking in Your Sleep
Techniker(in):
Hal Hansford und Jim Sessody
Produzent(in):
Peter Solley (English pianist, songwriter and producer)
Mix:
Neil Kernon und Peter Solley (English pianist, songwriter and producer)
phonographisches Urheberrecht (℗) von:
Nemperor Records, Inc. (in 1983)
aufgenommen bei:
Criteria Studios in Miami
recording of:
Talking in Your Sleep
Verfasser(in):
Coz Canler (Guitarist, vocals, songwriter), Jimmy Marinos (American drummer), Wally Palmar (Guitarist and songwriter), Mike Skill (Singer, bassist, guitarist, songwriter) und Peter Solley (English pianist, songwriter and producer)
publisher:
ForeverEndeavor Music, Inc. (publisher) und Warner Bros. Music Ltd. (UK subsidiary, so named between 1970/01/23–1971/04/26 and 1972/04/25–1988/08/23)
The Romantics43:56
23‘Mouthbreather’
[dialogue]0:23
24Back to Nature
Produzent(in):
Daniel Miller (British music producer and founder of Mute Records) und Frank Tovey
elektronische Instrumente [rhythm generator], Hybrid-Piano und Synthesizer:
Fad Gadget
vocals:
Fad Gadget
aufgenommen bei:
RMS Studios (recording studio in London) in South Norwood
recording of:
Back to Nature
Texter und Komponist(in):
Frank Tovey
publisher:
Mute Records Ltd. (not for release label use! original company behind the Mute label)
Fad Gadget5:48
25‘She’s Our Friend and She’s Crazy!’
[dialogue]0:04
26Rock You Like a Hurricane
Techniker(in):
Mike Beiriger, Dieter Dierks, David Hewitt (engineer) und Gerd Rautenbach
Produzent(in):
Dieter Dierks
Mix:
Mike Beiriger, Dieter Dierks und Scorpions (German rock band)
Akustikgitarre und E-Gitarre:
Rudolf Schenker (in 1984)
Bassgitarre:
Francis Buchholz (in 1984)
E-Gitarre [lead guitar] und E-Gitarre [rhythm guitar]:
Matthias Jabs (in 1984) und Rudolf Schenker (in 1984)
Perkussion und Schlagzeug:
Herman Rarebell (drummer, Germany) (in 1984)
Slide-Gitarre:
Matthias Jabs (in 1984)
Hintergrundgesang:
Francis Buchholz (in 1984), Matthias Jabs (in 1984), Klaus Meine (in 1984), Herman Rarebell (drummer, Germany) (in 1984) und Rudolf Schenker (in 1984)
Sologesang:
Klaus Meine (in 1984)
arranger:
Dieter Dierks
phonographisches Urheberrecht (℗) von:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 1984, in 2018), Breeze Music (in 1984), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1984), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1984) und BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)) (in 2015)
aufgenommen bei:
Dierks Studios in Pulheim (von 1983 bis 1984)
Teil von:
Alan Cross: Hurricane Songs (Nummer: 5), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 18) und Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 36)
recording of:
Rock You Like a Hurricane (in 1984)
Texter:
Klaus Meine und Herman Rarebell (drummer, Germany)
Komponist(in):
Rudolf Schenker
publisher:
Arabella Music Edition München, Arabella Musikverlag GmbH (ARABELLA MUSIC EDITION MUENCHEN) und Universal Music Publishing (use ONLY if no country‐specific information is available)
The Scorpions4.054:14
27Heroes
recording of:
“Heroes”
Texter:
David Bowie (English singer‐songwriter)
Komponist(in):
David Bowie (English singer‐songwriter) und Brian Eno
publisher:
BMG Songs Ltd., E.G. Music Ltd. (publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Tintoretto Music, Universal Music Careers und Universal Music Publishing International MGB Ltd.
Peter Gabriel4:03
28‘Friends Don’t Lie’
[dialogue]0:04
29Elegia
Techniker(in):
Michael Johnson (UK recording engineer and producer)
Produzent(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order), New Order (UK synth pop band) und Bernard Sumner
aufgenommen bei:
Britannia Row Studios (first location, 1975–1995 Islington) in Islington (in 1984) und Jam Studios in Finsbury Park (in 1984)
mixed at:
Britannia Row Studios (first location, 1975–1995 Islington) in Islington und Jam Studios in Finsbury Park
recording of:
Elegia
Komponist(in):
Gillian Gilbert, Peter Hook, Stephen Morris (New Order) und Bernard Sumner
publisher:
Be Music (New Order’s own publishing company) und Warner Bros. Music (publisher; do NOT use as release label)
New Order44:55
30Outro: Will Singing The Clash
teilweise cover recording of:
Should I Stay or Should I Go
Verfasser(in):
Mick Jones (The Clash/Big Audio Dynamite) und Joe Strummer
publisher:
Nineden Ltd. und Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
[dialogue]0:15

Nennungen

Veröffentlichung

mastering:Sean Brennan (mastering engineer)